Attention, key to dramatic, 181 shown by pivotal action, 182-186 Attitude, importance of, 195 Barrack-Room Ballads are monologues, 128 _Before Sedan_, Dobson, 84 Biglow Papers are monologues, 19 Bishop Blougram's Apology, listener in, 41-42 _Bishop orders his Tomb_, 285 listener in, 53 dramatic argument of, 91-94 BODY, ACTIONS OF MIND AND, 172-195 =BRET HARTE'S=, _In a Tunnel_, 173 _Bridge of Sighs_, =HOOD=, 209 metre of, 211 =BROWNING= _Patriot, The_, 3 _Woman's Last Word, A_, 6 _Confessions_, 7 _Youth and Art_, 21 _Incident of the French Camp_, 33 _Rabbi Ben Ezra_, 36 _Soliloquy of the Spanish Cloister_, 58 _Up at a Villa--Down in the City_, 65 A Grammarian's Funeral, 72 At the Mermaid, 74 _My Last Duchess_, 96 _Lost Mistress_, 106 _Tray_, 143 _One Way of Love_, 150 _Italian in England_, 152 _Wanting is--What?_ 157 _Memorabilia_, 160 _A Tale_, 164 _In a Year_, 201 _Lost Leader_, 212 _Evelyn Hope_, 216 _Appearances_, 265 _Andrea del Sarto_, 265 _Muleykeh_, 272 _Count Gismond_, 275 _By the Fireside_, 277 _Pheidippides_, 281 _Prospice_, 284 _Bishop orders his Tomb_, 285 _Sibrandus Schafnaburgensis_, 288 _Abt Vogler_, 290 _Saul_, 293 Why not appreciated, 1-2 Invented monologue, 1-2 his art form, 7 dramatic, 9-10 compared with Leigh Hunt, 25-26 influence of, 48 compared with Tennyson, 52 compared with Shakespeare, 55-61 soliloquies are monologues, 58-61 obscurity of, 71-81 master of monologue, 131-132 grotesque, element in, 229 variety of his themes, 263-264 =BURNS=, monologues in, 117-120 _O wert thou in the cauld blast_, 118 _By the Fireside_, 277 Caliban upon Setebos, character of, 24 speaker in, 24 Caudle, Mrs., _On the Umbrella_, 139 Character of speaker must be realized, 138 =CHESTERTON=, on personal element in story-telling, 86 on Clive and Muleykeh, 125 justifies Browning's grotesque language, 229 =CHURCHILL, J. W.=, rendering of Sam Lawson, 16 Cleon, monologue or letter, 18 Clive, illustrates person spoken of, 54 why a monologue, 126 _Confessions_, 7 Connection, importance of first words to the, 79-80 Consistency, law of, 235-237 Conversation, elements of, 159 _Count Gismond_, 275 speaker in, 16 =CUSHMAN, CHARLOTTE=, her rendering of monologue, 236-237 Definition of monologue, 7 Delivery nature of, 134 important in monologue, 133-136 three languages in, complementary, 135-136 DIALECT, 222-230 must be dramatic, 222-223 in Riley, Burns, Tennyson, 223 not literal, 224-225 dramatic, 225-226 results from assimilation, 227 must express character, 228-229 part of grotesque, 229-230 _Didn't know Flynn_, =BRET HARTE=, 173 _Dieudonne_, Dr. Drummond, 225