=DOBSON, AUSTIN,= _Before Sedan_, 84 change of situation in, 84-86 Dooley monologues, 42 Hennessey in, 42-43 Dowden, Edward, on static dramatic, 110-111 on Muleykeh, 111 Dramatic art, important, 11 Dramatic instinct, overlooked, 31 necessary in human life, 30 listener in, 31 definition of, 103-104 illustrated by, 103-113 static dramatic, 110-111 nature of, 111-112 interprets odd moments, 156 =DRAYTON, MICHAEL= _Come, let us kiss and part_, 116 =DRUMMOND, DR.= French Canadian dialect, 129 _Dieudonne_, 225 _Duchess, My Last_, 96 Epic spirit, nature of, 102 in Tennyson's Ulysses, 102-103, 123 in Sir Galahad, 124 _Evelyn Hope_, 216 Expression, vocal, necessity of, 133-146 nature of, in the monologue, 147-172 FAULTS IN RENDERING A MONOLOGUE, 241-247 staginess, 241 monotony, cause of, 241-242 tameness, 242 declamation, 242-243 indefiniteness, 243 exaggeration, 244 cause of, false, 244-246 =FIELD, EUGENE=, Monologues in, 44 _Fireside, By the_, 277 Flexibility illustrated by A Tale, 164 Flight of the Duchess, as illustration of monologue, 108-109 FORM OF LITERATURE, THE MONOLOGUE AS A, 100-115 not invented, 11-12, 100-101 Monologue, one, 100-113 Foss, Sam Walter, monologues by, 48 Fra Lippo Lippi, connection in, 81-83 =FREYTAG'S= definition of drama, 103-104 Grammarian's Funeral, A, situation in, 72-73 Grigsby's Station, a monologue, 47 Grotesque, nature of, 226 dramatic, importance of, 30-31 illustrations of, 33-39 HEARER, THE, 30-64 implied in dramatic art, 30-31 in monologue, necessary, 32 illustrated by Rabbi Ben Ezra, 36 in Bishop Blougram, 41-42 by Dooley and Hennessey, 43 in Riley's Nothin' to Say, 46-47 in Tennyson's Lady Clara, 50 Herve Riel, metre in, 203 Higginson, Col. T. W., story of Carlyle, 226 HISTORY OF THE MONOLOGUE, 113-132 in early literature, 113-116 in Burns, 117-118 =HOOD, THOMAS=, _Bridge of Sighs_, 209 Hunt, Leigh, Browning's method differs from, 25-26 Imitation, danger of, in High Tide, 171 IMPORTANCE OF MONOLOGUE, 248-264 illustrated by Saul, 248-252; by Job, 253 by Ninetieth Psalm, 253-254; by Prophets, 255 has educational value, 255 speakers, 255-256 proves necessity of voice to literature, 256 gives new course in speaking, 256; illustration, 257 prevents students of art from being mechanical, 258 shows necessity of art, 261 of any length or theme, 262 requires an artist, 263 requires no expensive scenery, 262 has limitations, 262 its range, 264 _In a Tunnel_, =BRET HARTE=, 173 _In a Year_, 201 _Incident of the French Camp_, 33 Inflection, function of, 151 importance of, 149-150, 157 Interpreter of monologue must command natural languages, 136