Play, a monologue, 10-12 Poetry, Aristotle on, 128 dramatic, not invented, 100 epic, 122-123 PROPERTIES, 230-247 use of, in play and monologue, 230-231 significance of, 230-231 need of generalizing, 232 Irving, Sir Henry, scenery in unity, 233 consistency in, 235 use of scenery, 236-240 must not be literal, 237 when dramatic, 238-240 _Prospice_, 284 metre of, 209 _Psalm Ninetieth_, 253 a monologue, 253-255 _Rabbi Ben Ezra_, 36 Rendering of monologues, 236-237 RENDITION, NECESSITY OF, 133-147 Rhythm, first element in interpretation, 148 =RILEY, JAMES WHITCOMB=, Hoosier monologue, 129-131 Knee-deep in June, a monologue, 45 situation in, 53 _Nothin' to Say_, 46 Ring and the Book, The, proves value of monologue, 26-29 extract from, on art, 40 _Sally in our Alley_, =CAREY=, 120 Sam Lawson, stories of, Mrs. Stowe, monologues, 16 illustrates nature of monologue, 248-252 _Saul_, 293 Shakespeare compared with Browning, 112 his soliloquies compared to monologues, 55-57 _Sibrandus Schafnaburgensis_, 288 SITUATION, PLACE AND, 64-78 dramatic, 64 monologue implies, 65 Up at a Villa--Down in the City, 65 in Browning, always definite, 71-72 changes in Grammarian's Funeral, 72 in Douglas Jerrold, 75 Andrea del Sarto (Poem, 265) _Soliloquy of the Spanish Cloister_, 58 soliloquy compared with monologue, 56-57 Shakespeare's, 55 difference between Browning and Shakespeare, 57-61 SPEAKER, THE, in monologue, 12-30 speech and monologue compared, 101-102 =SUCKLING, SIR JOHN=, _Why so pale and wan_, 116 _Tale, A_, 163 =TENNYSON'S= _Lady Clara Vere de Vere_, 50 a monologue, 52 many monologues, 49 not master of, 53 TIME AND CONNECTION, 78-86 abrupt beginning, 79-80 tone-color explained, 157-160 _Tray_, 143 _Up at a Villa--Down in the City_, 65 _Vagabonds, The_, =TROWBRIDGE=, 190 Vocal Expression nature of, 134 reveals processes of mind, 147-172 unprintable, 136 in play and monologue, 167-168 VOICE, ACTIONS OF MIND AND, 147-172 _Wanting is--What?_ 157 Whitman, dramatic element in his "O Captain," 120 _Why so pale and wan_, Suckling, 116 _Woman's Last Word, A_, 6 Words complemented by tone and action, 135 =WYATT, SIR THOMAS=, The Lover's Appeal, lyric in form of monologue, 114 _Youth and Art_, 21 metre of, 216 The University Press Cambridge, U. S. A. FOOTNOTES: [1] Freytag, Technik des Dramas, chap. i, sec. 2, p. 16 (Leipzig, 1881). Translation by Prof. H. B. Lathrop. [2] To emphasize the nature and importance of poetic form (see pp. 211, 213), "Count Gismond" and "By the Fireside" are here printed as prose. Find the length of line, the stanzas, and the metre, the meaning and appropriateness of all these. How should they be paragraphed? Transcriber's Notes: