Interpretation of monologue difficult, 139 necessary, 133 unites three languages, 135 must be dramatic, 138-142 _Italian in England, The_, 152 Jerrold, Douglas, situation in his monologues, 75 on Sordello, 1 Mrs. Caudle and the Umbrella, 139 its spirit, 141-143 John Anderson, my Jo, =BURNS=, 62 =KIPLING=, dramatic spirit in, 127-129 Mandalay lyric or monologue, 128-129 dialect of results from dramatic spirit, 228 _Lady Clara Vere de Vere_, =TENNYSON=, 50 Language, threefold, 135-138 La Saisiaz, situation of, 78 _Last Ride Together_, 205 Letters and monologues compared, 17-18 LITERARY FORM, A NEW, 1-12 not invented, 100 monologue, as a, 100-113 monologue, a true, 124, 259-264 LITERATURE, THE MONOLOGUE AS A FORM OF, 100-113 implies unprinted elements, 133-134 suggests life, 135-136 _Lost Leader, The_, 212 _Lost Mistress, The_, 106 Lyric, nature of, 14 compared with monologue, 14-15 Macbeth, story of, compared to monologue, 105-107 _Memorabilia_, 160 illustrates vocal expression of monologue, 161-162 Mental actions modulate voice, 147-172 _Mermaid, At the_, passage from, 73-74 METRE AND THE MONOLOGUE, 195-222 mistakes regarding, 195 appreciation of, 196 part of vocal expression, 196-197 meaning of, 196, 204-205 relation to length of line, 198-199 in Woman's Last Word and In a Year, 201 study of, 213 _Mistress, The Lost_, 106 Mitchell, D. G., on letters, 17 Modulations of voice, 147-172 Monologue contrasted with the play, 105-109 "Invention" of Browning, 2 One end of conversation, 7 study of, centres in, 10 speaker in, 12-30, 41-43 dramatic, 32 person spoken of, in, 54-55 compared with soliloquy, 55-61 situation in, 64-78 connection, 78-86 argument of, 86-94 as literary form, 100-113 compared with play, 105-109 before Browning, 113 common in English poetry, 113-132 common in modern literature, 127-132 needs delivery, 133-146 vocal expression of, 147-172 rhythm of thinking in, 148 action in, 172-195 metre in, 195-222 dialect in, 222-229 use of properties, 231-240 faults in rendering, 241-246 IMPORTANCE OF, 248-264 Movement illustrated by High Tide, 168-171 Mrs. Jim, a series of monologues, 130 _Muleykeh_, 272 Chesterton on, 125 as a monologue, 125-126 _My Last Duchess_, 96 illustrates elements of monologue, 96-99 Natural languages, function of, 134-137 _Nothin' to Say_, Riley, 46 Obscurity, chief cause of Browning's, 81 _Old Boggs' Slarnt_, Day, 188 _One Way of Love_, 150 Oratory and acting compared, 13, 179-181 Jefferson on, 179-180 Palgrave on Sally in our Alley, 120-122 _Patriot, The_, 3 Pause, Importance of, 149 Personal element in art, Chesterton on, 86 found in all conversation and expression, 81-88 _Pheidippides_, 281