In "Griggsby's Station" we have a most decided monologue. Who is speaking, and to whom is the monologue addressed? Is the speaker the daughter in a family suddenly grown rich, talking to her mother? The character of the speaker and of the listener must be definitely conceived and carefully suggested in order to give truth to the rendering or even to realize its meaning. The same is true regarding many of Holman Day's stories in his "Up in Maine," and other books. With hardly any exception these are best rendered as monologues. Many of the poems of Sam Walter Foss and other popular writers of the present are monologues. The homelike characters demand sympathetic listeners, who are, by implication, of the same general type and character as the speaker. Even "The House by the Side of the Road" is better given with the spirit of the monologue. It is too personal, too dramatic, to be turned into a speech. Again, notice Mrs. Piatt's "Sometime," and a dozen examples in Webb's "Vagrom Verse"; also "With Lead and Line along Varying Shores"; and in Oscar Fay Adams's "Sicut Patribus," where you would hardly expect monologues, you find that "At Bay" and "Conrad's Choir" have the form of monologues. Many monologues in our popular writers seem at first simple and without the formal and definite construction of those employed by Browning, yet after careful examination we feel that the conception of the monologue has slowly taken possession of our writers, it may be unconsciously, and that the true interpretation of many of the most popular poems demands from the reader a dramatic conception. For the comprehension of any monologue, those points where the speaker is directly affected by the hearer need especial attention. The speaker occasionally echoes the words of his hearer. Mrs. Caudle, for instance, often quotes the words of her spouse, and these were printed by Douglas Jerrold in italics and even in separate paragraphs. "For the love of mercy let you sleep?" for example, was thus printed to emphasize the interruption by Caudle. These words would be echoed by her with affected surprise. Then she would pour out her sarcasm: "Mercy indeed; I wish you would show a little of it to other people." In most authors these echoed speeches are indicated by quotation marks. Browning sometimes has words in parentheses. Note "(What 'cicada'? Pooh!)" in "A Tale." "Cicada" was certainly spoken by the listener, but the other words in the parentheses and other parentheses in this monologue are more personal remarks by the speaker. They have reference, however, to the listener's attitude.