Browning and the Dramatic MonologueCurry, S. S. (Samuel Silas)
History
Browning and the Dramatic Monologue
Curry, S. S. (Samuel Silas)
Browning, Robert, 1812-1889 -- Criticism and interpretation; Dramatic monologues -- History and criticism
If there is any doubt about "Muleykeh," there can be none that "Clive" is
a monologue.
"Clive" may seem to some to be involved. Why did not Browning make his
hero tell his own story? Because it was better to take another person, one
not so strong, and thus to reveal the impressions which Clive's deed makes
upon the average man. Such a man's quotation of Clive's words can be made
more exciting and dramatic in its expression.
It is difficult at times to decide whether a story is a monologue or a
mere narrative. But, in general, when a story receives a distinct coloring
from a peculiar type of character, even though in the form of a narrative,
it may be given with advantage as a monologue. Its general spirit is best
interpreted by this conception.
"Herve Riel," for example, seems at first a mere story, but it has a
certain spirited and dramatic movement, and though there is no hint of who
the speaker is, it yet possesses the unity of conversation and of the
utterance of some specific admirer of "Herve Riel." This may be Browning
himself. He wrote the poem and gave it to a magazine,--a rare thing with
Browning,--and sent the proceeds to the sufferers in the French Commune;
hence, its French subject and its French spirit. The narrator appears to
be a Frenchman; at least he is permeated with admiration for the noble
qualities in the French character at a time when part of the world was
criticizing France, if not sneering at it on account of the victory of
the Germans and the chaos of the Commune.
One who compares its rendition as an impersonal story with a rendering
when conceived by a definite character, by one who realizes the greatness
of the forgotten hero of France, will perceive at once the spirit and
importance of the monologue.
One must look below mere phrases or verbal forms to understand the nature
or spirit of the monologue. The monologue is primarily dramatic, and the
word "dramatic" need hardly be added to it any more than to a play,
because the idea is implied.
Whatever may be said regarding the monologue, certainly the number has
constantly increased of those who appreciate the importance of this form
in art, which, if Browning did not discover, he extended and elevated.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account