Browning and the Dramatic MonologueCurry, S. S. (Samuel Silas)
History
Browning and the Dramatic Monologue
Curry, S. S. (Samuel Silas)
Browning, Robert, 1812-1889 -- Criticism and interpretation; Dramatic monologues -- History and criticism
How very long since I have thought
Concerning--much less wished for--aught
Beside the good of Italy.
For which I live and mean to die!
I never was in love; and since
Charles proved false, what shall now convince
My inmost heart I have a friend?
However, if I pleased to spend
Real wishes on myself--say, three--
I know at least what one should be
I would grasp Metternich until
I felt his red wet throat distil
In blood thro' these two hands. And next,
--Nor much for that am I perplexed--
Charles, perjured traitor, for his part,
Should die slow of a broken heart
Under his new employers. Last
--Ah, there, what should I wish? For fast
Do I grow old and out of strength.
If I resolved to seek at length
My father's house again, how scared
They all would look, and unprepared!
My brothers live in Austria's pay
--Disowned me long ago, men say;
And all my early mates who used
To praise me so--perhaps induced
More than one early step of mine--
Are turning wise: while some opine
"Freedom grows license," some suspect
"Haste breeds delay," and recollect
They always said, such premature
Beginnings never could endure!
So, with a sullen "All's for best,"
The land seems settling to its rest.
I think then, I should wish to stand
This evening in that dear, lost land,
Over the sea the thousand miles
And know if yet that woman smiles
With the calm smile; some little farm
She lives in there, no doubt: what harm
If I sat on the door-side bench,
And while her spindle made a trench
Fantastically in the dust,
Inquired of all her fortunes--just
Her children's ages and their names,
And what may be the husband's aims
For each of them. I'd talk this out,
And sit there, for an hour about,
Then kiss her hand once more, and lay
Mine on her head, and go my way.
So much for idle wishing--how
It steals the time! To business now.
The conversation takes place preliminary "to business." It is a fine
example of the monologue for many reasons. It takes simply a single moment
in life, a moment in this case when a turn is made from serious business
into personal experiences. The speaker is probably waiting for other
reformers to take active measures for the liberation of his country. In
this moment, seemingly wasted, light is thrown upon the inner life of this
patriot.
This beautiful example of Browning's best work will serve as a good
illustration of the force and power of a monologue to interpret life and
character and also the elements necessary to its delivery. The student
will do well to thoroughly master it, noting every emphatic word and the
necessity of long pauses and salient inflections to make manifest the
inner thought and feeling of this man.
Public-domain text, read in full here on John Shaqi.
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