Browning, Robert, 1812-1889 -- Characters -- Women
We know it before Phene speaks, for Lutwyche, telling Gottlieb, has
told us; but Jules must glean it from her puzzled, broken utterance,
filled with allusions that mean nothing until semi-comprehension comes
through the sighs of tortured soul and heart from her who still is, as
it were, in a trance. And this dream-like state causes her, now and
then, to say the wrong words--the words _he_ spoke--instead of those
which had "cost such pains to learn . . ."
This is the story she tries to tell. Lutwyche had hated Jules for long.
There were many reasons, but the chief was that reported judgment of the
"crowd of us," as "dissolute, brutalised, heartless bunglers." Greatly,
and above all else, had Jules despised their dissoluteness: how could
they be other than the poor devils they were, with those debasing habits
which they cherished? "He could never," had said Lutwyche to Gottlieb,
"be supercilious enough on that matter. . . . _He_ was not to wallow in
the mire: _he_ would wait, and love only at the proper time, and
meanwhile put up with statuary." So Lutwyche had resolved that precisely
"on that matter" should his malice concentrate. He happened to hear of a
young Greek girl at Malamocco, "white and quiet as an apparition, and
fourteen years old at farthest." She was said to be a daughter of the
"hag Natalia"--said, that is, by the hag herself to be so, but Natalia
was, in plain words, a procuress. "We selected," said Lutwyche, "this
girl as the heroine of our jest"; and he and his gang set to work at
once. Jules received, first, a mysterious perfumed letter from somebody
who had seen his work at the Academy and profoundly admired it: she
would make herself known to him ere long. . . . "Paolina, my little
friend of the Fenice," who could transcribe divinely, had copied this
letter--"the first moonbeam!"--for Lutwyche; and she copied many more
for him, the letters which Psyche, at the studio, was to keep in the
fold of her robe.
In his very earliest answer, Jules had proposed marriage to the unknown
writer. . . . How they had laughed! But Gottlieb, hearing, could not
laugh. "I say," cried he, "you wipe off the very dew of his youth."
Schramm, however, had had his pipe forcibly taken from his mouth, and
then had pronounced that "nothing worth keeping is ever lost in this
world"; so, Gottlieb silenced, Lutwyche went on with the story. The
letters had gone to Jules, and the answers had come from him, two, three
times a day; Lutwyche himself had concocted nearly all the mysterious
lady's, which had said she was in thrall to relatives, that secrecy must
be observed--in short, that Jules must wed her on trust, and only speak
to her when they were indissolubly united.
Public-domain text, read in full here on John Shaqi.
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