Browning, Robert, 1812-1889 -- Characters -- Women
one's impulse surely is (mine is) to ask with some vexation what "this"
was?
"Each life's unfulfilled, you see;
It hangs still, patchy and scrappy;
We have not sighed deep, laughed free,
Starved, feasted, despaired--been happy."
Away from its irritating context, that stanza _is_ delightful; with the
context it is to me wholly meaningless. The boy and girl had not fallen
in love--there is no more to say; and I heartily wish that Browning had
not tried to say it. The whole lyric is based on nothingness, or else on
a self-consciousness peculiarly unappealing. Kate Brown was evidently
quite "safe in her corset-lacing" before she put up a blind. I fear that
this confession of my dislike for _Youth and Art_ is a betrayal of
lacking humour; I can but face it out, and say that unhumorous is
precisely what, despite its levity of manner, rhythm, and rhyme, _Youth
and Art_ seems to my sense. . . . I rejoice that we need not reckon this
Kate among Browning's girls; she is introduced to us as married to her
rich old lord, and queen of _bals-pares_. Thus we may console ourselves
with the hope that life has vulgarised her, and that as a girl she was
far less objectionable than she now represents herself to have been. We
have only to imagine Evelyn Hope putting up a superfluous blind that she
might be safe in her corset-lacing, to sweep the gamut of Kate Brown's
commonness. . . . Let us remove her from a list which now offers us a
figure more definitely and dramatically posed than any of those whom we
have yet considered.
FOOTNOTES:
[12:1] Mr. Chesterton and Mrs. Orr both speak of Kate Brown as having
succeeded in her art. I cannot find any words in the poem which justify
this view. She is "queen at _bals-pares_," and she has married "a rich
old lord," but nothing in either condition predicates the successful
cantatrice.
I
THE GIRL IN "COUNT GISMOND"
It is like a fairy tale, for there are three beautiful princesses, and
the youngest is the heroine. The setting is French--a castle in
Aix-en-Provence; it is the fourteenth century, for tourneys and
hawking-parties are the amusements, and a birthday is celebrated by an
award of crowns to the victors in the lists, when there are ladies in
brave attire, thrones, canopies, false knight and true knight. . . .
Here is the story.
Public-domain text, read in full here on John Shaqi.
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