The ominous quality of the carelessly spoken, half laughing demand
carried even to Lytton's confused understanding and he checked himself
between syllables, staring upward into the countenance of the other.
"In the first place, she's not my woman, in th' way you mean; if she
was, I wouldn't stand here an' only tell you to shut your mouth when you
talked about her like that. Sick as you are, I'd choke you, maybe. In
th' second place, I'm no gentleman, I guess,"--with a smile breaking
through into a laugh. "I'm just a kind of he-man an' I don't know much
about th' way you gentlemen have dealin's with each other.
"No more booze for you to-day. Get that in your head, if you can. I've
got coffee for you now an' some soup."
He turned and walked to the stove in the far corner, kicked open the
draft and took a cup from the shelf above. All the while the bleared,
scarce understanding gaze of the man in bed followed him as though he
were trying to comprehend, trying to get the meaning of Bayard's simple,
direct sentences.
After he had been helped in drinking a quantity of hot coffee and had
swallowed a few spoonfuls of soup, Lytton dropped back on the pillow,
sighed and, with his puffed eyes half open, slipped back into a state
that was half slumber, half stupor.
Bayard took the wounded arm from beneath the cover, unwrapped the
bandages, eyed the clotted tear critically and bound it up again. Then
he walked to the doorway and, with hands hooked in his belt, scowled out
across the lavendar floor of the treeless valley which spread before and
below him, rising to blue heights in the far, far distance. He stood
there a long, silent interval, staring vacantly at that vast panorama,
then, moved slowly across the fenced dooryard, let himself into a big
enclosure and approached a round corral, through the bars of which the
sorrel horse watched his progress with alert ears. For a half hour he
busied himself with currycomb and brush, rubbing the fine hair until the
sunlight was shot back from it in points of golden light and all the
time the frown between his brows grew deeper, more perplexed. Finally,
he straightened, tapped the comb against a post to free it of dust,
flung an arm affectionately about the horse's neck, caressed one of the
great, flat cheeks, idly, and, after a moment, began to laugh.
"Because we set our fool eyes on beauty in distress we cross a jag-cure
with a reform school an' set up to herd th' cussed thing!" he chuckled.
"Abe, was there ever two bigger fools 'n you an' me? Because she's a
beauty, she'll draw attention like honey draws bees; because she's in
trouble an' can't hide it, she'll have everybody prospectin' round to
locate her misery an' when they do, we'll be in th' middle of it all,
keepin' th' worthless husband of a pretty young woman away from her. All
out of th' goodness of our hearts. It won't sound good when they talk
about it an' giggle, Abe. It won't sound good!" And then, very
seriously,
Public-domain text, read in full here on John Shaqi.
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