She walked toward the array of yellow lighted windows that showed
through the deepening darkness, making her way over the hard ground,
hurriedly, skirt lifted in the free hand. She had not inspected the
shadowy town beyond glancing casually to register the ill-defined
impressions of scattered stock pens, sprawling buildings, a short string
of box-cars, a water-tank. The country, the location of the settlement,
was the thing which had demanded her first attention, for it was all
strange, new, a bit terrifying in the twilight. Two men passed her,
talking; their voices ceased and she knew that they turned to stare;
then one spoke in a lowered tone ... and the night had them. A man on
horseback rode down the street at a slow trot. She wondered uneasily if
that was the horse which had raced away at the sound of the shot. From
the most brilliantly lighted building the sound of a mechanical piano
suddenly burst, hammering out a blatant melody.
A thick sprinkling of stars had pricked through the darkening sky and
Ann, as she walked along, scanned the outline that each structure made
against them. Once she laughed shortly to herself and thought,
"_The_ two-story building!"
And, almost with that thought, she stood before it. An oil lamp on an
uncertain post was set close against the veranda and through an open
window she saw a woman, bearing a tray, pause beside a table and deposit
steaming dishes. She walked up the steps, opened the screen door, and
entered an unlighted hall, barren, also, to judge from the sounds. On
one side was the dining room; on the other, a cramped office.
"This is the Manzanita House?" she asked a youth who, hat on the back of
his head, read a newspaper which was spread over the top of a small
glass cigar case on the end of a narrow counter.
"Yes, ma'am"--evidently surprised.
He saw her bag, looked at her face again, took off his hat shyly and
opened a ruled copybook to which a pencil was attached by a length of
grimy cotton twine. He pushed it toward her, and the woman, as she drew
off her glove, saw that this was the hotel register.
In a bold, large hand she wrote:
"Ann Lytton, Portland, Maine."
"I'd like a room for to-night," she said, "and to-morrow I'd like to get
to the Sunset mine. Can you direct me?"
A faint suggestion of anxiety was in her query and on the question the
youth looked at her sharply, met her gaze and let his waver off. He
turned to put the register on the shelf behind him.
"Why, I can find out," he answered, evasively. "It's over thirty miles
out there and th' road ain't so very good yet. You can get th'
automobile to take you. It's out now--took the doctor out this
afternoon--and won't be back till late, prob'ly."
He took the register from the shelf again and, on pretext of noting her
room number on the margin of the leaf, re-read her name and address,
moving his lips in the soundless syllables.
Public-domain text, read in full here on John Shaqi.
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