Ann, watching from the shadows, lips pressed together, heart on a
rampage from a fear that was at once groundless and natural, saw his
fine profile against the lamp, as he laughed good-naturedly at the man
he had jibed. His head was flung back boyishly, but about its poise, its
lines, the way it was set on his sturdy neck, was an indication of
superb strength, a fine mettle. His hair fell backward from the brow. It
tended toward waviness and was dry and light in texture as well as in
color, for the rays of the light were scattered and diffused as they
shot through it. He was incredibly tall in his high-heeled riding boots,
but his breadth was in proportion. The movements of his long arms, his
finely moulded shoulders, his whole lithe torso were well measured,
splendidly balanced, of that natural grace and assurance which marks the
inherent leadership born in individuals. His voice went well with the
rest of him, for it was smooth and deep and filled with capabilities of
expression.
"Well, if you think all us drunkards are such buzzard fodder, what are
you packin' this around with you for?" Clary asked, after the laughter
had subsided.
The cowman looked down thoughtfully a moment and his face grew serious.
He shook his head soberly.
"This fellow's a cripple, boys; that's all. Just a cripple," he
explained.
"Cripple! He's about th' liveliest, most cantankerous, trouble-maker
this country has had to watch since Bill Williams named his mountain!" a
man in the group scoffed.
"Yes, I know. His legs ain't broke or deformed; he can use both arms;
his fool tongue has made us all pretty hot since we've knowed him. But
he ain't right up here, in his head, boys. He's crippled there. There
ain't no reason for a human bein' gettin' to be so nasty as he's got to
be. It ain't natural. It's th' booze, Tommy, th' booze that's crippled
him. He ought to be kept away from it until he's had a chance, but
nobody's took enough interest in him or th' good of th' town to tend to
that. We've just locked him up when he got too drunk an' turned him
loose to hell some more when he was halfway sober. He ain't had nobody
to look out for him, when he's needed it more 'n anything else.
"I ain't blamin' nobody. Don't know as I'd looked out for him myself, if
he hadn't looked so helpless, there 'n th' ditch, Gosh, any one of you'd
take in a dog with a busted leg an' try to fix him up; if he bit at you
an' scratched and tried to fight, you'd only feel sorrier for him. This
feller ... he's kind of a dog, too. Maybe it'd be a good investment for
us to look after him a little an' see if we can't set him on his feet.
We've tried makin' an example of him; now let's try to treat him like
any of you'd treat me, if I was down an' out."
He looked down upon the figure on the porch; in his voice had been a
fine humane quality that set the muscles of the listening woman's throat
contracting.
"Say, Bruce, he's bleedin'!"
Public-domain text, read in full here on John Shaqi.
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