Bruges and West FlandersOmond, George W. T. (George William Thomson)
History
Bruges and West Flanders
Omond, George W. T. (George William Thomson)
Bruges (Belgium) -- Description and travel; Flanders -- Description and travel
1. A Flemish Country Girl
2. Bruges: A Corner of the Market on the Grand' Place
3. Bell-ringer Playing a Chime
4. Bruges: Porte d'Ostende
5. Bruges: Rue de l'Ane Aveugle (showing end of Town
Hall and Bridge connecting it with Palais de
Justice)
6. Bruges: Quai du Rosaire
7. Bruges: The Beguinage
8. Bruges: Quai des Marbriers
9. A Flemish Young Woman
10. A Flemish Burgher
11. Bruges: Quai du Miroir
12. Bruges: View of the Palais du Franc.
13. Bruges: Maison du Pelican (Almshouse)
14. Bruges: Vegetable Market
15. The Flemish Plain
16. Duinhoek: Interior of a Farmhouse
17. Adinkerque: At the Kermesse
18. A Farmsteading
19. Ypres: Place du Musee (showing Top Part of the
Belfry)
20. Ypres: Arcade under the Nieuwerk
21. Furnes: Grand' Place and Belfry
22. Furnes: Peristyle of Town Hall and Palais de Justice
23. Nieuport: Interior of Church
24. Furnes: Tower of St. Nicholas
25. Furnes: In Ste. Walburge's Church
26. Nieuport: A Fair Parishioner
27. Nieuport: Hall and Vicarage
28. Nieuport: The Quay, with Eel-boats and Landing-stages
29. Nieuport: The Town Hall
30. Nieuport: Church Porch (Evensong)
31. The Dunes: A Stormy Evening
32. An Old Farmer
33. La Panne: Interior of a Flemish Inn
34. La Panne: A Flemish Inn--Playing Skittles
35. Coxyde: A Shrimper on Horseback
36. Coxyde: A Shrimper
37. Adinkerque: Village and Canal
THE MARKET-PLACE AND BELFRY--EARLY HISTORY OF BRUGES
BRUGES AND WEST FLANDERS
CHAPTER I
THE MARKET-PLACE AND BELFRY--EARLY HISTORY OF BRUGES
Every visitor to 'the quaint old Flemish city' goes first to the
Market-Place. On Saturday mornings the wide space beneath the mighty
Belfry is full of stalls, with white canvas awnings, and heaped up
with a curious assortment of goods. Clothing of every description,
sabots and leathern shoes and boots, huge earthenware jars, pots
and pans, kettles, cups and saucers, baskets, tawdry-coloured
prints--chiefly of a religious character--lamps and candlesticks,
the cheaper kinds of Flemish pottery, knives and forks, carpenters'
tools, and such small articles as reels of thread, hatpins, tape,
and even bottles of coarse scent, are piled on the stalls or spread
out on the rough stones wherever there is a vacant space. Round
the stalls, in the narrow spaces between them, the people move
about, talking, laughing, and bargaining. Their native Flemish
is the tongue they use amongst themselves; but many of them speak
what passes for French at Bruges, or even a few words of broken
English, if some unwary stranger from across the Channel is rash
enough to venture on doing business with these sharp-witted, plausible
folk.
Public-domain text, read in full here on John Shaqi.
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