Bruges and West FlandersOmond, George W. T. (George William Thomson)
History
Bruges and West Flanders
Omond, George W. T. (George William Thomson)
Bruges (Belgium) -- Description and travel; Flanders -- Description and travel
The fishermen on the coast of Flanders have, from remote times,
paid their vows in the hour of danger to Notre Dame de Lombaerdzyde.
If they escape from some wild storm they go on a pilgrimage of
thanksgiving. They walk in perfect silence along the road to the
shrine, for not a word must be spoken till they reach it; and these
hardy seafaring men may be seen kneeling at the altar of the old,
weather-beaten church which stands on the south side of the highway
through the village, and in which are wooden models of ships hung
up as votive offerings before an image of the Virgin, which is
the object of peculiar veneration. The Madonna of Lombaerdzyde
did not prevail to keep the sea from invading the village at the
time when the inhabitants were driven to Nieuport, but the belief
in her miraculous power is as strong to-day as it was in the Dark
Ages.
[Illustration: ADINKERQUE. Village and Canal.]
There is a view of Lombaerdzyde which no one strolling on the dunes
near Nieuport should fail to see--a perfect picture, as typical
of the scenery in these parts as any landscape chosen by Hobbema
or Ruysdael. A causeway running straight between two lofty dunes
of bare sand, and bordered by stunted trees, forms a long vista at
the end of which Lombaerdzyde appears--a group of red-roofed houses,
with narrow gables and white walls, and in the middle the pointed
spire of the church, beyond which the level plain of Flanders,
dotted with other villages and churches and trees in formal rows,
stretches away into the distance until it merges in the horizon.
Adinkerque, a picturesque village beyond Furnes, is another place
which calls to mind many a picture of the Flemish artists in the
Musee of Antwerp and the Mauritshuis at The Hague; and the recesses
of the dune country in which these places are hidden has a wonderful
fascination about it--the irregular outlines of the dunes, some
high and some low, sinking here into deep hollows of firm sand,
and rising there into strange fantastic shapes, sometimes with
sides like small precipices on which nothing can grow, and sometimes
sloping gently downwards and covered with trembling poplars, spread
in confusion on every side. Often near the shore the sandy barrier
has been broken down by the wind or by the waves, and a long gulley
formed, which cuts deep into the dunes, and through which the sand
drifts inland till it reaches a steep bank clothed with rushes,
against which it heaps itself, and so, rising higher with the storms
of each winter, forms another dune. This process has been going
on for ages. The sands are for ever shifting, but moss begins to
grow in sheltered spots; such wild flowers as can flourish there
bloom and decay; the poplars shed their leaves, and nourish by
imperceptible degrees the fibres of the moss; some hardy grasses
take root; and at length a scanty greensward appears. By such means
slowly, in the microcosm of the dunes, have been evolved out of
Public-domain text, read in full here on John Shaqi.
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