No one knew. None remembered seeing him since breakfast. It was now
half-past ten. The train was to go at eleven, and we were three-quarters
of a mile from the station! We felt utterly lost. It was impossible to
leave Bruno, and yet we must go.
Julius looked in all directions, calling and whistling. No answer. Our
baggage had gone, a wagon full of it. The tickets were bought, and
everything was arranged.
Julius came in from an unsuccessful search, a look of desperation on his
face.
"There's no help for it," he said; "we must start, Bruno or no Bruno."
We locked up the house and set off. As we drove along, I kept looking
out, hoping to see the familiar form come dashing after us, but in vain.
Julius was to come into town each morning to the office, returning to us
at the seashore on the afternoon train. I began to think I could not
know Bruno's fate (for I feared something serious must have happened)
until the afternoon of the next day. We had been so delayed it was
necessary to make all speed.
[Illustration: Chasing Crabs and Sea-Birds.--PAGE 111.]
We hurried into the station, and there, standing beside our heap of
luggage, one eye for the packages and the other on the lookout for
us, stood Bruno!
He greeted us with such extravagant delight, and we felt so relieved at
seeing him, that we found no reproaches ready. Besides, although he had
so delayed us, it was quite evident that he had thought we had our hands
over-full, and that by keeping his eye on the things he would be helping
us. So he had followed the wagon, overlooked the unloading, and
evidently had kept tally of every package. Our man who had driven the
wagon was to go on with us to help in the transfer at the other end, and
to make all ready for comfort in the cottage. He told us that Bruno had
mounted guard over him as well as our effects, and while rather
overdoing it, had been quite helpful.
It is hard to write of the weeks that followed.
I see Bruno racing up and down the beach and swimming out through the
breakers, while Julius and I sit on either side of a little wicker wagon
drawn up beyond the reach of the tide, watching him.
I see him chasing crabs and sea-birds, or limping up to show us his foot
stung by a stranded jelly-fish.
Then--darkness.
It is night in a long white-draped room.
One end of it is lighted by a lamp having a rose-colored shade.
In the middle of the lighted end stands a crib. A little white-robed
form lies within.
The pink light so simulates a glow of health that the mother, sitting
beside the crib, bends low, thinking the little breast heaves.
But no. The waxen cheeks chill her lips.
Still she bends and gazes on that loved little form.
Bruno lies at the mother's feet. When she moves he rises, looking
mournfully into the crib, then turns to rest his head on her knee.
On a lounge, in the end of the room where shadows lurk, the father lies
asleep, exhausted with grief.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account