Buck Peters, ranchman : $b being the story of what happened when Buck Peters, Hopalong Cassidy, and their Bar-20 associates went to Montana — John Shaqi
Buck Peters, ranchman : $b being the story of what happened when Buck Peters, Hopalong Cassidy, and their Bar-20 associates went to MontanaMulford, Clarence Edward
General
Buck Peters, ranchman : $b being the story of what happened when Buck Peters, Hopalong Cassidy, and their Bar-20 associates went to Montana
Mulford, Clarence Edward
Cassidy, Hopalong (Fictitious character) -- Fiction; Montana -- Fiction; Ranch life -- Fiction; Western stories
"Mind? Of course she doesn’t mind. Run along, Margie, and for Heaven’s
sake, don’t sit in a draft—though I don’t believe you can find one in
this house," and the fan was brought into more vigorous action at the
reminding thought.
"Well, I don’t know, Mr. Booth," remonstrated Margaret as they moved
away. "They will begin to dance very soon and I promised Wallie Hartman
the opening. You came in together, didn’t you?"
"Oh, Wallie! Yes, he was pretty keen on getting here but I rather fancy
he’s forgotten about that dance, you know."
"What makes you say that? What mischief are you two brewing?"
"Ah—it’s Wallie’s secret, you know,—that is, his part of it is—I say,
here ’s the very spot."
They had made the turn behind the stairs, where a punch bowl stood; the
space immediately behind the stairs being too low in which to stand
comfortably upright, a mass of foliage was banked in a half circle,
outside of which the stand and punch bowl were placed; inside, a
thoughtful hostess had arranged a _tête-à-tête_, quite unnoticeable from
without. Whitby’s attention had been drawn to it by the couple who had
emerged upon their approach, the girl radiant and the man walking on
air, of which details Whitby was entirely oblivious. Margaret was more
observing and she looked after Wallie with a dawning look of
understanding and then at Whitby with a quick glance of apprehension.
There was no time to protest, even if she would, as Whitby had led her
behind the leafy screen before she fully realized the import of his
action.
Like many slow starters, Whitby, when once in movement, set a rapid
pace. He came to the point now with promptitude:
"Miss McAllister, I arrived late because I called on your father before
coming here, to ask his permission to address you. I must say he rather
dashed my hopes, you know. He does n’t think I ’m such a bad sort—he
does n’t object in the least—but he seemed to fancy his daughter
Margaret would. I—I hope he is mistaken."
She turned to him a face in which the eyes were slowly filling with
tears, nor did she remove the hand upon which his rested, on the curving
back of the seat. It was not her first proposal, by several, but there
was a vibrating earnestness, an unexpected tenderness in this big, slow
Englishman which told her she was going to hurt him seriously when she
spoke. And she did not want to hurt him; with all her heart and soul
she wished she did not have to hurt him.
"I ’m not worthy of you, Margaret. I don’t think any man is worthy of a
good woman, and I ’m just an ordinary man. But I ’ll _be_ worthy of
you, from to-night.—and that whether you say yes or no.
Public-domain text, read in full here on John Shaqi.
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