Buck Peters, ranchman : $b being the story of what happened when Buck Peters, Hopalong Cassidy, and their Bar-20 associates went to MontanaMulford, Clarence Edward
General
Buck Peters, ranchman : $b being the story of what happened when Buck Peters, Hopalong Cassidy, and their Bar-20 associates went to Montana
Mulford, Clarence Edward
Cassidy, Hopalong (Fictitious character) -- Fiction; Montana -- Fiction; Ranch life -- Fiction; Western stories
The game was going on at a table close to the bar, over which the
bartender leaned, standing on some elevation to enable him to draw
closer. Only two men were playing. The one facing Buck was a big man,
in the forties, his brown hair and beard thickly sprinkled with gray;
brown eyes, red-rimmed from dissipation, set wide apart from a big, bold
nose, stared down at the cards squeezed in a big hand. The other man
was of slight build, with black hair, and the motions of his hands,
which Buck had caught as he entered, were those of a gambler: accurate,
assured, easy with a smooth swiftness that baffled the eye. He was
dressed like a cowpunch; he looked like a cow-punch—all but the hands;
these, browned as they were, and dirty, exhibited a suppleness that had
never been injured by hard work. Buck walked up to the bar and a soft
oath escaped him as he caught sight of the thin, brown face, the
straight nose, the out-standing ears, the keen black eyes—Buck’s glance
leaped around the circle of on-lookers in the effort to discover how
many of the gambler’s friends were with him. He was satisfied that the
man was playing a lone hand. There was a tenseness in the air which
Buck knew well, but from across the hall came a most incongruous sound.
"Piano, by G—d!" breathed Buck in amazement. The intentness on the game
of those in the room explained why he had seen no one about the place
and he was at a loss to account for the indifference of the musician.
At the big man’s left, standing in the corner between the bar and the
wall, was a woman. Her blonde hair and blue eyes set off a face with
some pretensions to beauty, and in point of size she was a fitting mate
for the big man at whom she stared with lowering gaze. Close to her
stood the hobo, and Buck rightly concluded he was a privileged
character. Surrounding the table were several men quite evidently
punchers, two or three who might be miners, and an unmistakable
travelling salesman of that race whose business acumen brings them to
the top though they start at the bottom. Buck had gauged them all in
that one glance. Afterward he watched the gambler’s hands and a puzzled
expression gradually appeared on his face; he frowned and moved
uneasily. Was the man playing fair or were his eyes getting old?
Suddenly the frown disappeared and he breathed a sigh of relief: the
motion itself had been invisible but Buck had caught the well-remembered
preliminary flourish; thereafter he studied the faces of the others; the
game had lost interest, even the low voices of the players fell on deaf
ears. His interest quickened as the big man stood up.
"I ’m done," he declared. "That lets me out, Dave. You ’ve got th’
pile. After to-night I ’ll have to pound leather for forty a month and
my keep." He turned to the woman, while an air of relief appeared among
the others at his game acceptance of the loss. "Go on home, Nell. I
won’t be up yet a while."
"You won’t be up at all," was the level-voiced reply.
Public-domain text, read in full here on John Shaqi.
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