He wore the same air when, on the next afternoon after his arrival, the family went to the cemetery outside the Castle Gate to lay a wreath on the grave. They stood together on the snowy path in front of the large tablet on which were the names of those resting there, surrounding the family arms cut in the stone. Before them was the upright marble cross that stood at the edge of the bare little churchyard grove. They were all there except Clothilde, who was at Thankless, nursing her ailing father. Tony laid the wreath on the tablet, where her father’s name stood on the stone in fresh gold letters: then, despite the snow, she knelt down by the grave to pray. Her black veil played about her, and her full skirt lay spread out in picturesque folds. God alone knew how much grief and religious emotion--and, on the other hand, how much of a pretty woman’s self-conscious pleasure--there was in the bowed attitude. Thomas was not in the mood to think about it. But Christian looked sidewise at his sister with a mixture of mockery and misgiving, as if to say: “Can you really carry that off? Shan’t you feel silly when you get up? How uncomfortable!” Tony caught this look as she rose, but she was not in the least put out. She tossed her head back, arranged her veil and skirt, and turned with dignified assurance to go; whereupon Christian was obviously relieved. The deceased Consul’s fanatical love of God and of the Saviour had been an emotion foreign to his forebears, who never cherished other than the normal, every-day sentiments proper to good citizens. The two living Buddenbrooks had in their turn their own idiosyncrasies. One of these appeared to be a nervous distaste for the expression of feeling. Thomas had certainly felt the death of his father with painful acuteness, much as his grandfather had felt the loss of his. But he could not sink on his knees by his grave. He had never, like his sister Tony, flung himself across the table sobbing like a child; and he shrank from hearing the heart-broken words in which Madame Grünlich, from roast to dessert, loved to celebrate the character and person of her dead father. Such outbursts he met with composed silence or a reserved nod. And yet, when nobody had mentioned or was thinking of the dead, it would be just then that his eyes would fill with slow tears, although his facial expression remained unchanged. It was different with Christian. He unfortunately did not succeed in preserving his composure at the naïve and childish outpourings of his sister. He bent over his plate, turned his head away, and looked as though he wanted to sink through the floor; and several times he interrupted her with a low, tormented “Good God, Tony!” his large nose screwed into countless tiny wrinkles. In fact, he showed disquiet and embarrassment whenever the conversation turned to the dead. It seemed as though he feared and avoided not only the indelicate expression of deep and solemn feeling, but even the feeling itself.