No one had seen him shed a tear over the death of his father; and his
long absence alone hardly explained this fact. A more remarkable thing,
however, was that he took his sister Tony aside again and again to
hear in vivid detail the events of that fatal afternoon; for Madame
Grünlich had a gift of lively narration.
“He looked yellow?” he asked for the fifth time. “What was it the girl
shrieked when she came running in to you? He looked quite yellow,
and died without saying another word? What did the girl say? What
sort of sound was it he made?” Then he would be silent--silent a long
time--while his small deep-set eyes travelled round the room in thought.
“Horrible,” he said suddenly, and a visible shudder ran over him as he
got up. He would walk up and down with the same unquiet and brooding
eyes. Madame Grünlich felt astonished to see that her brother, who for
some unknown reason was so embarrassed when she bewailed her father
aloud, liked to reproduce with a sort of dreadful relish the dying
efforts to speak which he had inquired about in detail of Lina the
maid-servant.
Christian had certainly not grown better looking. He was lean and
pallid. The skin was stretched over his skull very tightly; his large
nose, with a distinct hump, stuck out fleshless and sharp between his
cheek-bones, and his hair was already noticeably scantier. His neck was
too thin and long and his lean legs decidedly bowed. His London period
seemed to have made a lasting impression upon him. In Valparaiso, too,
he had mostly associated with Englishmen; and his whole appearance had
something English about it which somehow seemed rather appropriate.
It was partly the comfortable cut and durable wool material of his
clothing, the broad, solid elegance of his boots, his crotchety
expression, and the way in which his red-blond moustache drooped over
his mouth. Even his hands had an English look: they were a dull porous
white from the hot climate, with round, clean, short-trimmed nails.
“Tell me,” he said, abruptly, “do you know that feeling--it is hard to
describe--when you swallow something hard, the wrong way, and it hurts
all the way down your spine?” His whole nose wrinkled as he spoke.
“Yes,” said Tony; “that is quite common. You take a drink of water--”
“Oh,” he said in a dissatisfied tone. “No, I don’t think we mean the
same thing.” And a restless look floated across his face.
He was the first one in the house to shake off his mourning and
re-assume a natural attitude. He had not lost the art of imitating the
deceased Marcellus Stengel, and he often spoke for hours in his voice.
At the table he asked about the theatre--if there were a good company
and what they were giving.
“I don’t know,” said Tom, with a tone that was exaggeratedly
indifferent, in order not to seem irritated. “I haven’t noticed lately.”
Public-domain text, read in full here on John Shaqi.
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