Her daughter-in-law, Frau Consul Elizabeth Buddenbrook, born Kröger, laughed the sputtering Kröger laugh and tucked in her chin as the Krögers did. She could not be called a beauty, but, like all the Krögers, she looked distinguished; she moved with graceful deliberation and had a clear, well-modulated voice. People liked her and felt confidence in her. Her reddish hair curled over her ears and was piled in a crown on top of her head; and she had the brilliant white complexion that goes with such hair, set off with a tiny freckle here and there. Her nose was rather too long, her mouth somewhat small; her most striking facial peculiarity was the shape of her lower lip, which ran straight into the chin without a curve. She had on a short bodice with high puffed sleeves, that left exposed a flawlessly modelled neck adorned with a spray of diamonds on a satin ribbon. The Consul was leaning forward in his easy-chair, rather fidgety. He wore a cinnamon-coloured coat with wide lapels and leg-of-mutton sleeves close-fitting at the wrists, and white linen trousers with black stripes up the outside seams. His chin nestled in a stiff choker collar, around which was folded a silk cravat that flowed down amply over his flowered waistcoat. He had his father’s deep-set blue observant eyes, though their expression was perhaps more dreamy; but his features were clearer-cut and more serious, his nose was prominent and aquiline, and his cheeks, half-covered with a fair curling beard, were not so plump as the old man’s. Madame Buddenbrook put her hand on her daughter-in-law’s arm and looked down at her lap with a giggle. “Oh, _mon vieux_--he’s always the same, isn’t he, Betsy?” The Consul’s wife only made a motion with her delicate hand, so that her gold bangles tinkled slightly. Then, with a gesture habitual to her, she drew her finger across her face from the corner of her mouth to her forehead, as if she were smoothing back a stray hair. But the Consul said, half-smiling, yet with mild reproach: “There you go again, Father, making fun of sacred things.” They were sitting in the “landscape-room” on the first floor of the rambling old house in Meng Street, which the firm of Johann Buddenbrook had acquired some time since, though the family had not lived in it long. The room was hung with heavy resilient tapestries put up in such a way that they stood well out from the walls. They were woven in soft tones to harmonize with the carpet, and they depicted idyllic landscapes in the style of the eighteenth century, with merry vine-dressers, busy husbandmen, and gaily beribboned shepherdesses who sat beside crystal streams with spotless lambs in their laps or exchanged kisses with amorous shepherds. These scenes were usually lighted by a pale yellow sunset to match the yellow coverings on the white-enamelled furniture and the yellow silk curtains at the two windows.