Thomas Buddenbrook had turned away while he listened, and looked past
his sister between the portières, into the dark salon.
“With a revolver?” he asked, after silence had reigned some two
minutes. And then, after another pause, he said in a low voice, slowly
and mockingly: “That is the nobility for you!”
Then he fell again to musing, and the rapidity with which he drew the
ends of his moustaches through his fingers was in remarkable contrast
to the vacant fixity of his gaze. He did not listen to the lamentations
of his sister, or to her speculations on what poor Armgard would do
now. Nor did he notice that Gerda, without turning her head in his
direction, was fixing him with a searching and steady gaze from her
close-set, blue-shadowed eyes.
CHAPTER II
Thomas Buddenbrook did not contemplate the future of little Johann with
the weary dejection which was now his settled mood when he thought
about his own life and his own end. The family feeling which led him
to cherish the past history of his house extended itself even more
strongly into its future; and he was influenced, too, by the loving
and expectant curiosity concentrated upon his son by his family and
his friends and acquaintances, even by the Buddenbrook ladies in Broad
Street. He said to himself that, however hopeless and thwarted he
himself felt, he was still, wherever his son was concerned, capable of
inexhaustible streams of energy, endurance, achievement, success--yes,
that at this one spot his chilled and artificial life could still
be warmed into a genuine and glowing warmth of hopes and fears and
affections.
Perhaps, some day, it would be granted to him to look back upon his
past from a quiet corner and watch the renascence of the old time, the
time of Hanno’s great-grandfather! Was such a hope, after all, entirely
vain? He had felt that the music was his enemy; but it had almost begun
to look as if it had no such important bearing upon the situation.
Granted that the child’s fondness for improvising, without notes, was
evidence of a not quite common gift; in the systematic lessons with
Herr Pfühl he had not showed by any means extraordinary progress. The
preoccupation with music was no doubt due to his mother’s influence;
and it was not surprising that during his early years this influence
had been preponderant. But the time was close at hand when it would be
the father’s turn to influence his son, to draw him over to his side,
to neutralize the feminine influence by introducing a masculine one in
its place. And the Senator determined not to let any such opportunities
pass without improving them.
Public-domain text, read in full here on John Shaqi.
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