“Fine garden,” said Hanno. He began to laugh nervously, and could not
stop; putting his handkerchief to his mouth the while and looking
across the courtyard at him whom Kai called the Lord God.
This was Director Wulicke, the head of the school, who had appeared in
the courtyard: an extremely tall man with a slouch hat, a short heavy
beard, a prominent abdomen, trousers that were far too short, and very
dirty funnel-shaped cuffs. He strode across the flagstones with a face
so angry in its expression that he seemed to be actually suffering,
and pointed at the pump with outstretched arm. The water was running!
A train of pupils ran before him and stumbled in their zeal to repair
the damage. Then they stood about, looking first at the pump and then
at the Director, their faces pictures of distress; and the Director,
meanwhile, had turned to Dr. Goldener, who hurried up with a very red
face and spoke to him in a deep hollow voice, fairly babbling with
excitement between the words.
This Director Wulicke was a most formidable man. He had succeeded
to the headship of the school after the death, soon after 1871, of
the genial and benevolent old gentleman under whose guidance Hanno’s
father and uncle had pursued their studies. Dr. Wulicke was summoned
from a professorship in a Prussian high school; and with his advent an
entirely new spirit entered the school. In the old days the classical
course had been thought of as an end in itself, to be pursued at one’s
ease, with a sense of joyous idealism. But now the leading conceptions
were authority, duty, power, service, the career; “the categorical
imperative of our philosopher Kant” was inscribed upon the banner which
Dr. Wulicke in every official speech unfurled to the breeze. The school
became a state within a state, in which not only the masters but the
pupils regarded themselves as officials, whose main concern was the
advancement they could make, and who must therefore take care to stand
well with the authorities. Soon after the new Director was installed in
his office the tearing down of the old school began, and the new one
was built up on the most approved hygienic and aesthetic principles,
and everything went swimmingly. But it remained an open question
whether the old school, as an institution, with its smaller endowment
of modern comfort and its larger share of gay good nature, courage,
charm, and good feeling, had not been more blest and blessing than the
new.
Public-domain text, read in full here on John Shaqi.
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