Buds and Bird Voices (From "Mosses from an Old Manse") — John Shaqi
Buds and Bird Voices (From "Mosses from an Old Manse")Hawthorne, Nathaniel
General
Buds and Bird Voices (From "Mosses from an Old Manse")
Hawthorne, Nathaniel
New England -- Social life and customs -- Fiction; Short stories
The trees in our orchard and elsewhere are as yet naked, but already
appear full of life and vegetable blood. It seems as if by one magic
touch they might instantaneously burst into full foliage, and that the
wind which now sighs through their naked branches might make sudden
music amid innumerable leaves. The mossgrown willow-tree which for
forty years past has overshadowed these western windows will be among
the first to put on its green attire. There are some objections to the
willow; it is not a dry and cleanly tree, and impresses the beholder
with an association of sliminess. No trees, I think, are perfectly
agreeable as companions unless they have glossy leaves, dry bark, and a
firm and hard texture of trunk and branches. But the willow is almost
the earliest to gladden us with the promise and reality of beauty in
its graceful and delicate foliage, and the last to scatter its yellow
yet scarcely withered leaves upon the ground. All through the winter,
too, its yellow twigs give it a sunny aspect, which is not without a
cheering influence even in the grayest and gloomiest day. Beneath a
clouded sky it faithfully remembers the sunshine. Our old house would
lose a charm were the willow to be cut down, with its golden crown over
the snow-covered roof and its heap of summer verdure.
The lilac-shrubs under my study-windows are likewise almost in leaf: in
two or three days more I may put forth my hand and pluck the topmost
bough in its freshest green. These lilacs are very aged, and have lost
the luxuriant foliage of their prime. The heart, or the judgment, or
the moral sense, or the taste is dissatisfied with their present
aspect. Old age is not venerable when it embodies itself in lilacs,
rose-bushes, or any other ornamental shrub; it seems as if such plants,
as they grow only for beauty, ought to flourish always in immortal
youth, or, at least, to die before their sad decrepitude. Trees of
beauty are trees of paradise, and therefore not subject to decay by
their original nature, though they have lost that precious birthright
by being transplanted to an earthly soil. There is a kind of ludicrous
unfitness in the idea of a time-stricken and grandfatherly lilac-bush.
The analogy holds good in human life. Persons who can only be graceful
and ornamental—who can give the world nothing but flowers—should die
young, and never be seen with gray hair and wrinkles, any more than the
flower-shrubs with mossy bark and blighted foliage, like the lilacs
under my window. Not that beauty is worthy of less than immortality;
no, the beautiful should live forever,—and thence, perhaps, the sense
of impropriety when we see it triumphed over by time. Apple-trees, on
the other hand, grow old without reproach. Let them live as long as
they may, and contort themselves into whatever perversity of shape they
please, and deck their withered limbs with a springtime gaudiness of
pink blossoms; still they are respectable, even if they afford us only
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