Buds and Bird Voices (From "Mosses from an Old Manse") — John Shaqi
Buds and Bird Voices (From "Mosses from an Old Manse")Hawthorne, Nathaniel
General
Buds and Bird Voices (From "Mosses from an Old Manse")
Hawthorne, Nathaniel
New England -- Social life and customs -- Fiction; Short stories
The smaller birds,—the little songsters of the woods, and those that
haunt man’s dwellings and claim human friendship by building their
nests under the sheltering eaves or among the orchard trees,—these
require a touch more delicate and a gentler heart than mine to do them
justice. Their outburst of melody is like a brook let loose from wintry
chains. We need not deem it a too high and solemn word to call it a
hymn of praise to the Creator; since Nature, who pictures the reviving
year in so many sights of beauty, has expressed the sentiment of
renewed life in no other sound save the notes of these blessed birds.
Their music, however, just now, seems to be incidental, and not the
result of a set purpose. They are discussing the economy of life and
love and the site and architecture of their summer residences, and have
no time to sit on a twig and pour forth solemn hymns, or overtures,
operas, symphonies, and waltzes. Anxious questions are asked; grave
subjects are settled in quick and animated debate; and only by
occasional accident, as from pure ecstasy, does a rich warble roll its
tiny waves of golden sound through the atmosphere. Their little bodies
are as busy as their voices; they are all a constant flutter and
restlessness. Even when two or three retreat to a tree-top to hold
council, they wag their tails and heads all the time with the
irrepressible activity of their nature, which perhaps renders their
brief span of life in reality as long as the patriarchal age of
sluggish man. The blackbirds, three species of which consort together,
are the noisiest of all our feathered citizens. Great companies of
them—more than the famous “four-and-twenty” whom Mother Goose has
immortalized—congregate in contiguous treetops and vociferate with all
the clamor and confusion of a turbulent political meeting. Politics,
certainly, must be the occasion of such tumultuous debates; but still,
unlike all other politicians, they instil melody into their individual
utterances and produce harmony as a general effect. Of all bird voices,
none are more sweet and cheerful to my ear than those of swallows, in
the dim, sunstreaked interior of a lofty barn; they address the heart
with even a closer sympathy than robin-redbreast. But, indeed, all
these winged people, that dwell in the vicinity of homesteads, seem to
partake of human nature, and possess the germ, if not the development,
of immortal souls. We hear them saying their melodious prayers at
morning’s blush and eventide. A little while ago, in the deep of night,
there came the lively thrill of a bird’s note from a neighboring
tree,—a real song, such as greets the purple dawn or mingles with the
yellow sunshine. What could the little bird mean by pouring it forth at
midnight? Probably the music gushed out of the midst of a dream in
which he fancied himself in paradise with his mate, but suddenly awoke
on a cold leafless bough, with a New England mist penetrating through
his feathers.
Public-domain text, read in full here on John Shaqi.
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