Buffon's Natural History. Volume 04 (of 10): Containing a Theory of the Earth, a General History of Man, of the Brute Creation, and of Vegetables, Minerals, &c. &cBuffon, Georges Louis Leclerc, comte de
History
Buffon's Natural History. Volume 04 (of 10): Containing a Theory of the Earth, a General History of Man, of the Brute Creation, and of Vegetables, Minerals, &c. &c
Buffon, Georges Louis Leclerc, comte de
Natural history
In both, their external forms declare their sovereignty over every
living creature. Man supports his body erect; his attitude is that of
command; and his face, which is turned towards the heavens, displays a
superior dignity. The image of his soul is painted in his countenance;
the excellence of his nature penetrates through the material form in
which it is enclosed, and gives to his features a lively animation. His
majestic port, his firm and resolute step, announce the superiority of
his rank. He touches the earth only with his extremity, and beholds
it as if at a disdainful distance. His arms are not given to him for
pillars of support; nor does he render his hands callous by their
treading on the ground, and losing that delicacy of feeling for which
they were originally designed. His arms and hands are formed for very
different purposes; they are formed to second every intention of his
will; to defend himself, and to enable him to seize and enjoy the gifts
of Nature.
When the mind is at rest, all the features of the visage are in a state
of profound tranquillity. Their proportion, their union, their harmony,
seem to mark the sweet serenity, and to give a true information of
what passes within. When the soul, however, is agitated, the human
visage becomes a living picture, where the passions are expressed with
as much delicacy as energy; where every motion is expressed by some
corresponding feature; where every impression anticipates the will, and
betrays those hidden agitations, that he would often wish to conceal.
It is particularly in the eyes that the passions are painted, and most
readily discovered. The eye seems to belong to the soul more than any
other organ; it seems to participate of all its emotions; the softest
and most tender as well as the most violent and tumultous. These if not
only receives, but transmits by sympathy into the soul of the observer
all that secret fire with which its mind is agitated; and thus does
passion often become general. In short the eye is the lively index of
the mind, and forcibly speaks the language of intelligence.
Public-domain text, read in full here on John Shaqi.
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