Buffon's Natural History. Volume 04 (of 10): Containing a Theory of the Earth, a General History of Man, of the Brute Creation, and of Vegetables, Minerals, &c. &cBuffon, Georges Louis Leclerc, comte de
History
Buffon's Natural History. Volume 04 (of 10): Containing a Theory of the Earth, a General History of Man, of the Brute Creation, and of Vegetables, Minerals, &c. &c
Buffon, Georges Louis Leclerc, comte de
Natural history
Laughter is a sound of the voice, interrupted and pursued for some
continuance. The muscles of the belly, and the diaphragm, are employed
in its weaker exertions; but those of the ribs are violently agitated
in the stronger; the head and breast are sometimes thrown forward,
in order to raise them with the greater ease. The chest remains
undisturbed, the cheeks swell, the mouth naturally opens, and the
belly becoming depressed, the air issues out with a noise, and which
in violent fits continues for some time, and is often repeated; but
in more tranquil emotions, although the cheeks swell, the lips remain
close, and in some persons dimples are formed near the corners of the
mouth. This smile is often an indication of kindness and good-will; it
is also often used as a mark of contempt and ridicule.
The cheeks are features without any particular motion, and rather
seem as an ornament to the face than for the purpose of expression,
as may also be said of the chin and temples. The former indeed may be
considered in some measure a picture of the mind, from the involuntary
paleness and redness with which they are at limes overspread. Blushing
proceeds from different passions; being produced from shame, anger,
pride, Or joy, while paleness is ever an attendant on fright, fear, and
sorrow. These alterations in the colour are entirely involuntary; all
the other expressions of the passions are, in some small degree, under
control; but blushing and paleness betray our secret thoughts, and we
might as well attempt to stop the circulation of our blood, by which
they are caused, as to prevent their appearance.
The whole head, as well as the features of the face, takes peculiar
attitudes from different passions; it bends forward to express
humility, shame, or sorrow; it is turned to one side, in languor, or in
pity; it is thrown with the chin forward, in arrogance and pride; erect
in self-conceit and obstinacy; it is thrown backwards in surprize or
astonishment; and combines its motions to the one side and the other,
to express contempt, ridicule, anger, and resentment.
The parts of the head which give least expression to the face are the
ears. These which are immoveable, and make so small an appearance in
man, are very distinguishing features in quadrupeds: they serve in
them as the principal marks of the passions, and discover their joys
or their terrors with tolerable precision. The smallest ears in men
are said to be most beautiful; but the largest are found the best for
hearing. Some savage nations bore their ears, and so draw down the tips
to rest upon their shoulders.
Public-domain text, read in full here on John Shaqi.
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