Buffon's Natural History. Volume 06 (of 10): Containing a Theory of the Earth, a General History of Man, of the Brute Creation, and of Vegetables, Minerals, &c. &cBuffon, Georges Louis Leclerc, comte de
History
Buffon's Natural History. Volume 06 (of 10): Containing a Theory of the Earth, a General History of Man, of the Brute Creation, and of Vegetables, Minerals, &c. &c
Buffon, Georges Louis Leclerc, comte de
Natural history
are intolerable tormentors to the stag; while his horns are growing,
he withdraws to the thickest covert of the wood, where the flies least
frequent, because the irritation is insupportable when they fix upon
the tender horns. Thus there is an intimate communication between the
soft part of this living wood, and the whole nervous system of the
animal. The roe-buck, who has nothing to fear from these enemies, as
he renews his horns in the winter, does not retire in this manner, but
he walks with caution, and holds his head low for fear of striking it
against the branches. In the stag, fallow-deer, and roe-buck, there are
two bony eminences on which their horns grow; these begin to shoot at
the end of five or six months, and soon arrive at their full growth;
instead of enlarging as the animal advances in age, they diminish every
year, and are the most certain marks for distinguishing the age of all
the species. I think it is easy to account for this effect, which at
first appears so singular, but which ceases to be so when we reflect,
that the horns which grow upon this eminence must press upon it during
the whole time of their growth, which is for several months in the
year; therefore, however hard they may be they must continually lower
and contract by the compression which is reiterated every time the
roe-buck repairs his horns. This is likewise the reason that, though
the trunk continues to increase in thickness as the animal advances in
years, yet the height of the horns, and number of branches, diminish so
much, that when he arrives at a great age there remain only two large
prickets, or fantastic and ill-shaped knobs.
Public-domain text, read in full here on John Shaqi.
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