Bulldog And Butterfly: From "Schwartz" by David Christie Murray — John Shaqi
Bulldog And Butterfly: From "Schwartz" by David Christie MurrayMurray, David Christie
General
Bulldog And Butterfly: From "Schwartz" by David Christie Murray
Murray, David Christie
Fiction
In 1850--which, though it seem a long while ago, is well within human
memory--and for many years before, the Oak House was tenanted by a
farmer who bore the name of Fellowes, a sturdy and dogmatic personage,
who was loud at the table of the market ordinary once a week, and for
the most part silent for the rest of his life at home. The gray mare
was the better horse. Excepting within doors at the Oak House, Fellowes
ruled the hamlet. There were no resident gentry; the clergyman was
an absentee; the tiny church was used only as a chapel-of-ease; and
Fellowes was the wealthiest and most important personage for a mile or
two. He was a little disposed to be noisy, and to bluster in his show of
authority, and therefore fell all the more easily captive to his wife,
who had a gift for the tranquil saying of unpleasant things which was
reckoned quite phenomenal in Beacon Hargate. This formidable woman was
ruled in turn by her daughter Bertha.
Bertha, unless looked at through the eyes of susceptible young manhood,
would by no means be pronounced formidable. She was country-bred and
quite rustic; but there are refinements of rusticity; and for Beacon
Hargate, Bertha was a lady. She would have been a lady anywhere
according to her chances; for she was naturally sensitive to refining
influences, and of a nature which, remembering how strong it was, was
curiously tender.
It was May, in the year 1850--mid-May--and the weather was precisely
what mid-May weather ought to be, perfumed and softly fresh, with
opposing hints of gaiety and languor in it. The birds were singing
everywhere--a vocal storm, and the sheep--who can never express
themselves as being satisfied in any weather--bleated disconsolately
from the meadows. The clucking of fowls, the quacking of ducks, the very
occasional grunt of some contented porker in the backward regions of
the place, the stamp of a horse’s foot, and the rattle of a chain in
a manger-ring--sounds quite unmusical in themselves--blended with the
birds’ singing, and the thick humming of the bees, into an actual music
in which no note was discordant. The day was without a cloud, and the
soft light was diffused everywhere on a skyey haze of whitish blue.
Public-domain text, read in full here on John Shaqi.
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