New York (N.Y.) -- Social life and customs -- 19th century -- Fiction
The sole refuge offered from the contemplation of this depressing waste
was the sight of the Bunner Sisters' window. Its panes were always
well-washed, and though their display of artificial flowers, bands of
scalloped flannel, wire hat-frames, and jars of home-made preserves, had
the undefinable greyish tinge of objects long preserved in the show-case
of a museum, the window revealed a background of orderly counters and
white-washed walls in pleasant contrast to the adjoining dinginess.
The Bunner sisters were proud of the neatness of their shop and content
with its humble prosperity. It was not what they had once imagined it
would be, but though it presented but a shrunken image of their earlier
ambitions it enabled them to pay their rent and keep themselves alive
and out of debt; and it was long since their hopes had soared higher.
Now and then, however, among their greyer hours there came one not
bright enough to be called sunny, but rather of the silvery twilight hue
which sometimes ends a day of storm. It was such an hour that Ann Eliza,
the elder of the firm, was soberly enjoying as she sat one January
evening in the back room which served as bedroom, kitchen and parlour
to herself and her sister Evelina. In the shop the blinds had been drawn
down, the counters cleared and the wares in the window lightly covered
with an old sheet; but the shop-door remained unlocked till Evelina, who
had taken a parcel to the dyer's, should come back.
In the back room a kettle bubbled on the stove, and Ann Eliza had laid a
cloth over one end of the centre table, and placed near the green-shaded
sewing lamp two tea-cups, two plates, a sugar-bowl and a piece of pie.
The rest of the room remained in a greenish shadow which discreetly
veiled the outline of an old-fashioned mahogany bedstead surmounted by a
chromo of a young lady in a night-gown who clung with eloquently-rolling
eyes to a crag described in illuminated letters as the Rock of Ages;
and against the unshaded windows two rocking-chairs and a sewing-machine
were silhouetted on the dusk.
Public-domain text, read in full here on John Shaqi.
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