The rue Duphot, built up under the Empire, is remarkable for several houses with handsome exteriors, the apartments of which are skilfully laid out. That of the Rabourdins was particularly well arranged,--a domestic advantage which has much to do with the nobleness of private lives. A pretty and rather wide antechamber, lighted from the courtyard, led to the grand salon, the windows of which looked on the street. To the right of the salon were Rabourdin’s study and bedroom, and behind them the dining-room, which was entered from the antechamber; to the left was Madame’s bedroom and dressing-room, and behind them her daughter’s little bedroom. On reception days the door of Rabourdin’s study and that of his wife’s bedroom were thrown open. The rooms were thus spacious enough to contain a select company, without the absurdity which attends many middle-class entertainments, where unusual preparations are made at the expense of the daily comfort, and consequently give the effect of exceptional effort. The salon had lately been rehung in gold-colored silk with carmelite touches. Madame’s bedroom was draped in a fabric of true blue and furnished in a rococo manner. Rabourdin’s study had inherited the late hangings of the salon, carefully cleaned, and was adorned by the fine pictures once belonging to Monsieur Leprince. The daughter of the late auctioneer had utilized in her dining-room certain exquisite Turkish rugs which her father had bought at a bargain; panelling them on the walls in ebony, the cost of which has since become exorbitant. Elegant buffets made by Boulle, also purchased by the auctioneer, furnished the sides of the room, at the end of which sparkled the brass arabesques inlaid in tortoise-shell of the first tall clock that reappeared in the nineteenth century to claim honor for the masterpieces of the seventeenth. Flowers perfumed these rooms so full of good taste and of exquisite things, where each detail was a work of art well placed and well surrounded, and where Madame Rabourdin, dressed with that natural simplicity which artists alone attain, gave the impression of a woman accustomed to such elegancies, though she never spoke of them, but allowed the charms of her mind to complete the effect produced upon her guests by these delightful surroundings. Thanks to her father, Celestine was able to make society talk of her as soon as the rococo became fashionable.