When her colossus of a husband had gone to bed, Elisabeth leaned over him, and though he always treated her remarks as women’s nonsense, she said, “Perhaps you will really get Monsieur de la Billardiere’s place.” “There you go with your imaginations!” said Baudoyer; “leave Monsieur Gaudron to speak to the Dauphine and don’t meddle with politics.” At eleven o’clock, when all were asleep in the place Royale, Monsieur des Lupeaulx was leaving the Opera for the rue Duphot. This particular Wednesday was one of Madame Rabourdin’s most brilliant evenings. Many of her customary guests came in from the theatres and swelled the company already assembled, among whom were several celebrities, such as: Canalis the poet, Schinner the painter, Dr. Bianchon, Lucien de Rubempre, Octave de Camps, the Comte de Granville, the Vicomte de Fontaine, du Bruel the vaudevillist, Andoche Finot the journalist, Derville, one of the best heads in the law courts, the Comte du Chatelet, deputy, du Tillet, banker, and several elegant young men, such as Paul de Manerville and the Vicomte de Portenduere. Celestine was pouring out tea when the general-secretary entered. Her dress that evening was very becoming; she wore a black velvet robe without ornament of any kind, a black gauze scarf, her hair smoothly bound about her head and raised in a heavy braided mass, with long curls a l’Anglaise falling on either side of her face. The charms which particularly distinguished this woman were the Italian ease of her artistic nature, her ready comprehension, and the grace with which she welcomed and promoted the least appearance of a wish on the part of others. Nature had given her an elegant, slender figure, which could sway lightly at a word, black eyes of oriental shape, able, like those of the Chinese women, to see out of their corners. She well knew how to manage a soft, insinuating voice, which threw a tender charm into every word, even such as she merely chanced to utter; her feet were like those we see in portraits where the painter boldly lies and flatters his sitter in the only way which does not compromise anatomy. Her complexion, a little yellow by day, like that of most brunettes, was dazzling at night under the wax candles, which brought out the brilliancy of her black hair and eyes. Her slender and well-defined outlines reminded an artist of the Venus of the Middle Ages rendered by Jean Goujon, the illustrious sculptor of Diane de Poitiers.