Burgundy: The Splendid Duchy. Stories and Sketches in South BurgundyAllen, Percy
History
Burgundy: The Splendid Duchy. Stories and Sketches in South Burgundy
Allen, Percy
Burgundy (France) -- Description and travel
St. Bernard, quick to see the danger, sent his masons back to the
essential. Nave and choir were to be of low elevation, and without
towers; within must be neither painting, nor sculpture, nor crucifix,
nor colour, nor any other ornament. Even the tympanum of the porch,
so richly carved in Clunisian churches, might show only a cross in
bas-relief, sometimes surmounted by the Lamb of God. Any sculpture in
the interior must be confined to simple flowers and foliage on the
capitals, with perhaps a claw at the base of the pillars; the apse and
chapels were to be square, not polygonal nor semi-circular, as in the
work of the other school. Above all, the Cistercians banished from
their churches the scenes from the Ancient and New Testaments, the
symbolical figures and fantastic animals, of which the Clunisians were
so fond. Their cloisters were low and heavy, and the windows of the
monastic buildings were narrow, almost, as loopholes.
In ceremonial observances they were equally simple, and contented
themselves with a monotonous psalmody, poor and thin compared with the
melodious chants that rang down the aisles of Cluny. The manuscripts
showed the same scorn of art. Cluny bound their parchments beautifully
in gold and silver, and ornamented them with precious stones; Citeaux
was content with a rough binding of pig-skin, decorated with nails, and
fastened with copper bands.
It was inevitable that such vital difference of opinion should find
contemporary expression in words, as well as deeds. Bernard protests
vehemently against luxe. His correspondence on the subject with his
friend, Pierre le Vénérable, is full of interest.
"I do not speak," he writes, "of the prodigious height of the churches,
of their immeasurable length, of their unnecessary width, of their
sumptuous ornaments, of their curious paintings, which draw the glances
of those who are at prayer, and prevent them from praying. As a monk,
I address myself to monks, and I say to them: You who should be poor,
what do you with this gold in the sanctuary? Other than this should
be the conduct of the bishops, other than this that of the monks. The
bishops, as we know, extend their solicitude to the foolish as well as
to the wise. That they should seek to arouse by exterior ornament the
devotion of a carnal people insensible to the ornaments of the soul,
we can well understand; but we who have come forth from the bosom of
this people, who, for the love of Christ, have left the world and all
which is precious and apparent, we who regard as dung all that shines
by beauty, all that flatters the ear by harmony, that pleases the
senses of smell and touch, in a word, all that can give rise to sensual
pleasure, whose devotion do we aspire to arouse by these ornaments?
Public-domain text, read in full here on John Shaqi.
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