Burgundy: The Splendid Duchy. Stories and Sketches in South BurgundyAllen, Percy
History
Burgundy: The Splendid Duchy. Stories and Sketches in South Burgundy
Allen, Percy
Burgundy (France) -- Description and travel
"And to speak my thought openly, is it not avarice, that idolatry of
slaves, which inspires us, and do we not seek rather the gifts of
matter than the fruits of the spirit? How so, will you reply? I will
tell you. Gold is lavished on every hand that it may multiply; it is
spread abroad that it may be augmented. At the sight of these sumptuous
vanities which excite astonishment, men feel themselves inflamed with
the will to give, rather than with the will to pray. I do not know what
this penchant may be, that bids us give more willingly to him that
already has much. Eyes are dazzled by reliquaries covered with gold,
and the sight of them opens every purse. The more the chasse shines in
beauty, the more sacred are the relics held to be. We hasten to kiss
them, and we feel ourselves drawn on into giving; we admire that which
strikes the eye, rather than venerate holy things. In the churches are
exposed, not crowns, but wheels encrusted with pearls, and the lamps
which surround them cast a light less bright than the precious stones.
For candalabra, we see rise a tier of enormous weight, fashioned with a
marvellous art, which glitters less by the candles which surmount it,
than by the diamonds with which it is adorned.
"What seek ye in all that, I ask you; is it the compunction of
penitence or the astonishment of the eye? O Vanity of Vanities, O
Folly! In her buildings, the church is ashine, in her poor she is
all impoverished. She clothes her stones with gold, she leaves her
children naked. 'Tis at the expense of the poor that we seek to flatter
the eye of the rich. The curious find wherewithal to charm them;
the unfortunate seek in vain their daily bread. Do we not abuse our
veneration of the images of the saints, until they are ready to rise
from the paving-stones? Here one is spitting in an angel's mouth; there
the passers-by tread upon the face of a saint. If you do not respect
these holy images, why do you not respect at least their brilliant
colouring? Of what use is it to decorate these figures if they are to
be continually soiled with dust? Of what use are they to the poor, to
the monks, to spiritual men?
Public-domain text, read in full here on John Shaqi.
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