Burgundy: The Splendid Duchy. Stories and Sketches in South BurgundyAllen, Percy
History
Burgundy: The Splendid Duchy. Stories and Sketches in South Burgundy
Allen, Percy
Burgundy (France) -- Description and travel
"So paced the champions each towards the other with great assurance,
and met before the judge, and, at first each was on his guard against
the other. But before long they ran together and dealt great and
heavy blows, knightly given and borne on one side and the other; and
I remember that the said de Lalain (who knew that the axes he had
given and delivered had no spike nor point with which he could bend
nor injure his adversary) stepping aside some distance turned his axe,
making the head the tail, and the tail the head: and came forward again
with a great effort and reached the said Chandios, with the spike of
his axe on the vizor of the bacinet, and gave him so great a blow that
he broke the point on the vizor; but the said Chandios (who was strong
and great, powerful and valiant) did not give way; but began again the
battle between them more fiercely and proudly than before, so that
they beset one another so fiercely that in a short time the seventeen
strokes required by the said de Chandios were accomplished.
"Then Toison d'Or threw down the baton, and the combattants were taken
and separated by the men-at-arms appointed as guard and attendants, and
to act as is the wont in such a case; and they, taken before the judge,
touched together, and returned each whence he had come, and those arms
were accomplished (achevées) on a Saturday, the 18th day of September,
the year 49."[127]
So ended the first combat, which was followed by many others at
which several knights and squires of Burgundy, Nivernais, Savoy and
Switzerland presented themselves. Among the audience were the duke and
duchess of Orleans and a brilliant company from the court of Italy.
At the close of the tournament a great banquet was given to all the
nobles who had taken part, at which the guests were entertained with
many "entremets," as the representations given during the repast were
called.
The giver of the feast had desired that all combattants should be
painted in their armour, and his own portrait was exhibited with a
couplet at the foot, expressing thanks to all noble companions who had
accepted him as adversary, and offering to serve them on all occasions,
in person or property, as their brother in arms. He presented to Toison
d'Or a fair robe of sable, and after having courteously saluted the
Lady of Tears, and kissed the feet of the Holy Virgin, he retired;
and the picture, the image and the unicorn were carried, in solemn
procession, to the church of Châlon.[128]
Public-domain text, read in full here on John Shaqi.
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