The principal, the startling thing in the illuminated room on the
ground-floor was a dressing-gown, of the colour, between heliotrope and
purple, known to a previous generation as puce; a quilted garment
stuffed with swansdown, light as hydrogen--nearly, and warm as the smile
of a kind heart; old, perhaps, possibly worn in its outlying regions and
allowing fluffs of feathery white to escape through its satin pores; but
a dressing-gown to dream of. It dominated the unkempt, naked apartment,
its voluptuous folds glittering crudely under the sun-replacing oil lamp
which was set on a cigar-box on the stained deal table. The oil lamp had
a glass reservoir, a chipped chimney, and a cardboard shade, and had
probably cost less than a florin; five florins would have purchased the
table; and all the rest of the furniture, including the arm-chair in
which the dressing-gown reclined, a stool, an easel, three packets of
cigarettes and a trouser-stretcher, might have been replaced for another
ten florins. Up in the corners of the ceiling, obscure in the eclipse of
the cardboard shade, was a complicated system of cobwebs to match the
dust on the bare floor.
Within the dressing-gown there was a man. This man had reached the
interesting age. I mean the age when you think you have shed all the
illusions of infancy, when you think you understand life, and when you
are often occupied in speculating upon the delicious surprises which
existence may hold for you; the age, in sum, that is the most romantic
and tender of all ages--for a male. I mean the age of fifty. An age
absurdly misunderstood by all those who have not reached it! A thrilling
age! Appearances are tragically deceptive.
Public-domain text, read in full here on John Shaqi.
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