Now, between these two personages of our story, so widely different from
each other in size, age, color, and condition, there existed, as
doubtless has already been discovered, a sort of mutual-admiration
understanding, which always kept them on the best of terms one with
another, no matter how roughly they might be at rubs with the rest of
the world: the black giant making a household idol, so to speak, of his
little master; the little master a pattern, so to speak, of the black
giant. So, when the pattern crossed his legs, the idol needs must cross
his legs likewise. But in the act, the rail on which he was sitting,
giving a sudden turn, marred the new attitude before it was fairly
assumed; when, up with a flourish, flew the little naked heels, as high
as the little coon-skin cap had been, and backward tumbled the household
idol into a dense clump of pea-vines which, with a smart sprinkling of
briers, grew in the fence-corner behind him. In an instant the little
man had vanished, and there instead lay sprawling a yelling urchin; the
yelling, however, considerably smothered by his coon-skin cap rammed
down over his mouth, and by his two shirts turned up over his head. With
a swing of his huge limbs that made the knitted panels shake and rattle,
Burl had flung himself over the fence, and was now engaged in the
ticklish task of extricating his little master from amongst the vines
and briers, the latter being just sufficiently thick to spice the
disaster. When he had succeeded in fishing him out, pulled down the
shirts, and pushed up the cap, he began vigorously rubbing the bare
young legs with the palm of his hand, spitting upon it, the better, as
he said, to draw out the smarting and the stinging of the
brier-scratches. Then setting his idol, still howling, upon his own
panel of the fence, Burl began looking about him with wide-open eyes, as
if in quest of something lost, wondering the while what could have
become of his little man.
Public-domain text, read in full here on John Shaqi.
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