CHAPTER XXIV. They entered a moderate-sized apartment--indeed, Holywell Street is not above a hundred yards long, and this chamber was not more than half that length--it was fitted up with the simple taste of its owner. The carpet was of white velvet--(laid over several webs of Aubusson, Ispahan, and Axminster, so that your foot gave no more sound as it trod upon the yielding plain than the shadow did which followed you)--of white velvet, painted with flowers, arabesques, and classic figures, by Sir William Ross, J. M. W. Turner, R. A., Mrs. Mee, and Paul Delaroche. The edges were wrought with seed-pearls, and fringed with Valenciennes lace and bullion. The walls were hung with cloth of silver, embroidered with gold figures, over which were worked pomegranates, polyanthuses, and passion-flowers, in ruby, amethyst, and smaragd. The drops of dew which the artificer had sprinkled on the flowers were diamonds. The hangings were overhung by pictures yet more costly. Giorgione the gorgeous, Titian the golden, Rubens the ruddy and pulpy (the Pan of Painting), some of Murillo's beatified shepherdesses, who smile on you out of darkness like a star, a few score first-class Leonardos, and fifty of the master-pieces of the patron of Julius and Leo, the Imperial genius of Urbino, covered the walls of the little chamber. Divans of carved amber covered with ermine went round the room, and in the midst was a fountain, pattering and babbling with jets of double-distilled otto of roses. “Pipes, Goliath!” Rafael said gayly to a little negro with a silver collar (he spoke to him in his native tongue of Dongola); “and welcome to our snuggery, my Codlingsby. We are quieter here than in the front of the house, and I wanted to show you a picture. I'm proud of my pictures. That Leonardo came from Genoa, and was a gift to our father from my cousin, Marshal Manasseh: that Murillo was pawned to my uncle by Marie Antoinette before the flight to Varennes--the poor lady could not redeem the pledge, you know, and the picture remains with us. As for the Rafael, I suppose you are aware that he was one of our people. But what are you gazing at? Oh! my sister--I forgot. Miriam! this is the Lord Codlingsby.” She had been seated at an ivory pianoforte on a mother-of-pearl music-stool, trying a sonata of Herz. She rose when thus apostrophized. Miriam de Mendoza rose and greeted the stranger. The Talmud relates that Adam had two wives--Zillah the dark beauty; Eva the fair one. The ringlets of Zillah were black; those of Eva were golden. The eyes of Zillah were night; those of Eva were morning. Codlingsby was fair--of the fair Saxon race of Hengist and Horsa--they called him Miss Codlingsby at school; but how much fairer was Miriam the Hebrew!