Old is he, Eros, the ever young. He and Time were children together.
Chronos shall die, too; but Love is imperishable. Brightest of the
Divinities, where hast thou not been sung? Other worships pass away;
the idols for whom pyramids were raised lie in the desert crumbling
and almost nameless; the Olympians are fled, their fanes no longer rise
among the quivering olive-groves of Ilissus, or crown the emerald-islets
of the amethyst Aegean! These are gone, but thou remainest. There is
still a garland for thy temple, a heifer for thy stone. A heifer? Ah,
many a darker sacrifice. Other blood is shed at thy altars, Remorseless
One, and the Poet Priest who ministers at thy Shrine draws his auguries
from the bleeding hearts of men!
While Love hath no end, Can the Bard ever cease singing? In Kingly
and Heroic ages, 'twas of Kings and Heroes that the Poet spake. But in
these, our times, the Artisan hath his voice as well as the Monarch. The
people To-Day is King, and we chronicle his woes, as They of old did
the sacrifice of the princely Iphigenia, or the fate of the crowned
Agamemnon.
Is Odysseus less august in his rags than in his purple? Fate, Passion,
Mystery, the Victim, the Avenger, the Hate that harms, the Furies that
tear, the Love that bleeds, are not these with us Still? are not these
still the weapons of the Artist? the colors of his palette? the chords
of his lyre? Listen! I tell thee a tale--not of Kings--but of Men--not
of Thrones, but of Love, and Grief, and Crime. Listen, and but once
more. 'Tis for the last time (probably) these fingers shall sweep the
strings.
E. L. B. L.
NOONDAY IN CHEPE.
Public-domain text, read in full here on John Shaqi.
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