This law of counter-shading, however, is really only the basis for the coloration of caterpillars or other animals. It tends, chiefly, to make the creature appear as a flat plane when seen from the side, and may be said in a way to prepare the canvas upon which Nature paints her more distinctive pictures. A great many examples of color markings that tend to conceal the caterpillar amid its natural surroundings may be found by any one who will study the subject and it offers one of the most interesting fields for investigation. The chapter on caterpillars in the above-mentioned book by Mr. Thayer should serve as a starting point for any one taking up the subject. Butterflies differ from caterpillars and from most other animals in the fact that their coloring is chiefly shown upon the flat surfaces of the wings. Consequently, there is less opportunity for the various phases of counter-shading which is so commonly shown in the larger caterpillars. The bodies of nearly all butterflies do exhibit this phenomenon, but these bodies are relatively so small that counter-shading plays but a little part in the general display. Upon the outstretched membranes of the butterflies' wings Nature through the long ages of development has painted a great variety of pictures. Those which tend to protect the insect by concealment amid its surroundings are most commonly spread on the under surface of the wings. Especially is this true in the case of those species which pass the winter as adults or which have the habit of resting upon the bark of trees, the sides of rocks, or the surface of the ground. We here find some of the most interesting examples of obliterative coloring that occur in nature. Some butterflies have taken on the look of tree bark, others the sombre appearance of weathered rocks, while still others are painted with the images of flowerets and their stems. _Dazzling and Eclipsing Colors_ Many of the butterflies, especially the Angle-wings, which are marked on the under surface in various protective colors, are admirable examples of that phase of animal coloring which is spoken of as _dazzling coloration_. This is apparently one of the most important protective devices to be found in Nature and the validity of it is now generally conceded by naturalists. One phase of it, which may be called eclipsing coloration, seems to have been first definitely formulated by the late Lord Walsingham, a famous English entomologist who enunciated it in an address as president of the Entomological Society of London. The most significant paragraphs in that address were these: