Bees -- Caricatures and cartoons; Bees -- Juvenile poetry; Children's poetry; Wit and humor, Pictorial
Is the refrain of the well-known chorus in the Frogs of
Aristophanes. Any one with an accurate ear, who has been so happy
as to assist at a chorus of Bull Frogs in full song in the sweet
spring tide, sacred to love and melody, must have felt how
accurately the great Comic Poet noted down their song. I do not
believe that in the two thousand years which have elapsed since
that time there has been a single note altered in their love ditty.
I have never been in Greece, and so cannot testify to the musical
powers of the Frogs of Boeotia; but I have had that pleasure both
in Spain and in the neighbourhood of Constantinople: in both
instances under very favourable circumstances, which I will relate.
In June, 1855, during the Crimean war, I was at Constantinople, the
guest of Lord Napier, then Chief Secretary to the British Embassy
in that city. He was residing at that lovely place, Therapia, the
summer retreat of our Ambassador and his suite. I had pitched my
little tent in a grass meadow, close to Lord Napier's snug house.
His hospitality by day was unbounded, but straitened as he was for
room by night, he was not sorry to entertain a guest who delighted
in camping out, and brought with him the means of doing so. Not
fifty yards from my tent was a dark stagnant pool, overshadowed by
trees, and every night and all night long the Bull frogs, from
their reedy habitations, sang "Brekekekex, Coax, Coax," whilst
above the water, and in and out of the dark shadows of the trees,
the fire flies flickered about in their ever varying gambols. It
was as though Taglioni, resplendent with Jewels, had been dancing
her very best to the strains of a Scotch bag-pipe. Again, I was in
the noble town of Seville at Easter, 1867, twelve years later,
during which time I had been hard at work in England, and "no
holiday had seen," so by that time I needed one. Not a hundred
yards from the glorious Cathedral, behind the Alcazar, the old
Palace of the Moors, is a large orange garden, and in the midst of
it a square tank, of Moorish work, used for irrigation. The garden
was tenanted by a widow woman who owned a dozen or so magnificent
stall-fed milch cows, and thither I resorted early every morning,
after visiting the Cathedral, for the sake of a glass of new milk,
and a lesson in Spanish from her two little daughters aged
respectively nine and ten, Incarnacion (the last c pronounced th)
and Salud. Commend me to two chattering little girls, when their
shyness has once worn off, as the best teachers of a new language.
One glorious morning I was sitting on the edge of the aforesaid
tank, inhaling the delicious perfume of the orange blossoms, when a
Frog struck up his "Brekekekex, Coax Coax" from the still water,
and at the same time the air was resonant with the sweet song of
the Nightingale.
Public-domain text, read in full here on John Shaqi.
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