Neubauer in favor of the Spanish text. “From the greater consistency of the Aramaic dialect in the Spanish text, a dialect which, as we know from the Responsa of the Geonim, they used in their writings, it may be concluded that this (the Spanish) composition is the genuine one.” The Gaonate was able to maintain a pretty thorough Jewish spirit without insisting on the use of Hebrew as the only medium of salvation. Actually Dr. Neubauer saw in the more consistent Aramaic of the Spanish text an indication of its superior authenticity over what may be called the French text! But all these points are secondary. The real interest lies in this whole conception of an _oral book_. Tradition necessarily must be largely oral; ideas, maxims, and even defined rules of conduct not only can be, they must be, transmitted by word of mouth. But is there any possibility that a whole, elaborate book, or rather series of six books, should be put together and then trusted to memory? A new turn to the discussion was given by Prof. Gilbert Murray’s Harvard Lectures on “The Rise of the Greek Epic.” To him the Iliad of Homer appears in the guise of a “traditional book.” No doubt the Mishnah belongs to a period separated from Homer by well-nigh a millennium. But the phrase holds. A _book_ can be the outcome of tradition, can be carried on by it, expanded and elaborated, just as much as an oral code or history or poem. When, then, we speak of a traditional book, it does not necessarily mean that the book was not written down. The written words become precious, and the fact that they are written does not of itself spell finality or stagnation. There never was any danger of such an evil result until the age of printing and stereotyping. Nor can we conceive of a traditional book as the work of one mind. Judah the Prince neither began nor ended the chain of tradition because he wrote the Mishnah. There had been Mishnahs before him, just as there were developments of law after him.