Hebrew literature -- History and criticism; Jewish literature -- History and criticism; Jews in literature
Our Sephardic brethren were wiser than the Ashkenazim in their
selections for the liturgy. Why the Ashkenazim have neglected Ibn
Gebirol and ha-Levi in favor of Kalir will always remain a mystery.
The Sephardim did not include all that they might have done from the
Spanish poets, but the Ashkenazic Mahzor has suffered by the loss of
such masterpieces as Judah ha-Levi’s “Lord! unto Thee are ever manifest
my inmost heart’s desires, though unexpressed in spoken words.” But
most of all is our loss apparent in the omission of the “Royal Crown”
from the Kol Nidre service. In Germany, the Ashkenazim have been
better advised. The Rödelheim Mahzor and the Michael Sachs edition
both include the poem in their volumes for the Atonement Eve. Sachs
(unlike de Sola) omits the astronomical sections in his fine German
rendering, and wisely, for the “Royal Crown” notably illustrates the
Greek epigram: “part may be greater than the whole.” On the other hand,
in his famous _Religiöse Poesie der Juden in Spanien_, Sachs includes
the omitted cosmology. There is a difference between our attitudes to a
poem as a work of literature and to the same poem as an invocation or
prayer. Sachs the scholar refused to mutilate the “Royal Crown,” but as
a liturgist (though he printed all the Hebrew) he took liberties with
it.
Sachs and de Sola were not the only translators of the “Royal Crown.”
In fact, to name all who have turned Ibn Gebirol’s work into modern
languages would need more space than is here available. In her
_Jewish Year_, Mrs. Lucas--to name the most recent of Ibn Gebirol’s
translators--has exquisitely rendered a large part of the poem. I do
not propose to quote from it, as Mrs. Lucas’ book is available at a
small cost. And we shall, it is to be hoped, not have too long to wait
for Mr. Israel Zangwill’s promised rendering.
Public-domain text, read in full here on John Shaqi.
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