Hebrew literature -- History and criticism; Jewish literature -- History and criticism; Jews in literature
K. E. FRANZOS’ “JEWS OF BARNOW” 276
HERZBERG’S “FAMILY PAPERS” 283
LONGFELLOW’S “JUDAS MACCABÆUS” 290
ARTOM’S SERMONS 297
SALKINSON’S “OTHELLO” 303
“LIFE THOUGHTS” OF MICHAEL HENRY 311
THE POEMS OF EMMA LAZARUS 319
CONDER’S “TENT WORK IN PALESTINE” 325
KALISCH’S “PATH AND GOAL” 333
FRANZ DELITZSCH’S “IRIS” 340
“THE PRONAOS” OF I. M. WISE 347
A BAEDEKER LITANY 353
IMBER’S SONG 359
INDEX 365
ILLUSTRATIONS
FACING
PAGE
MENASSEH BEN ISRAEL 148
TITLE-PAGE OF THE FIRST EDITION OF BYRON’S “HEBREW MELODIES” 208
GRACE AGUILAR 248
ISAAC LEESER 254
EMMA LAZARUS 320
ISAAC MAYER WISE 348
NAPHTALI HERZ IMBER 360
PART I
PART I
THE STORY OF AHIKAR
We are happily passing out of the critical obsession, under which it
was a sign of ignorance to attribute a venerable age to the records of
the past. All the old books were written yesterday, or at earliest the
day before! Facts, however, are stubborn; and facts, as they come to
light, justify and re-affirm our fathers’ faith in the antiquity of the
world’s literature. The story of Ahikar is a good illustration.
In the course of the Book of Tobit more than once _Achiachar_ or
_Ahikar_ is mentioned. These allusions are verbal only, but in one
scene the reference is more precise. The pious Tobit on his death-bed
bids his son “consider what Nadab (Nadan) did to Achiachar, who brought
him up” (14. 10).
Public-domain text, read in full here on John Shaqi.
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