I have said that our author loves the old, yet has no objection to the new. The latter feature is exemplified by a long song on the Sabbath Light, composed by Joseph Hahn for Friday nights. Each verse is printed in Hebrew (§ 601) with a Yiddish paraphrase. He disliked setting the _Zemirot_ to non-Jewish tunes. There is no sense, he adds, in the argument of those who urge that these non-Jewish tunes were stolen from the temple melodies! The children, we learn, had a special Sabbath cake. A Jewish child, he relates (§ 612), was carried off by robbers, but cried so pitifully for his cake on Friday night, that he was eventually discovered by Jews and ransomed. He protests against the “modern innovation” of introducing a sermon in the morning service; this compels the old and ailing to wait too long for breakfast. The sermon must, as of old, be given after the meal (§ 625). Yet he did not mind himself introducing an innovation, for he instituted a simple haggadic discourse on the afternoons of festivals, so as to attract the people and keep them from frivolous amusements (§ 821). The greater _Spinholz_ on the Saturday before a wedding was still customary in the author’s time. He complains of those people who drink better wine on Sundays than on Saturdays (§ 693). He objects to the practice of the rich to have their daughters taught instrumental music by male instructors (§ 890). But here I must break off, though it is difficult to tear oneself from the book, even the narrowness of which has a historical interest, and the prejudices of which entertain. As a whole, it represents a phase of Jewish life which belongs to the past, yet there runs through it a vein of homely sentiment which is found also in our present. LEON MODENA’S “RITES” Said to have been composed at the request of an English nobleman for the delectation of James I, Leon Modena’s account of Jewish ceremonial was certainly intended for Christian readers. Though written in Italian, it first appeared in France (Paris, 1637), through the good offices of the author’s pupil and friend, J. Gaffarel. It was the source of a whole library of similar books. Not only was it translated into several languages, but onwards from Modena’s time, writers, Jewish and Christian, competent and incompetent, devoted themselves to the task of presenting to the world in general the teachings and customs of Judaism. The recent treatise of Oesterley and Box is a lineal descendant of Modena’s _Rites_.