Hebrew literature -- History and criticism; Jewish literature -- History and criticism; Jews in literature
It was in America that the first English translation of the Synagogue
Prayer-Book appeared (1761 and 1766). Often has attention been drawn
to the curiosity that this latter volume was published not in London
but in New York. The 1761 edition has only recently been discovered by
Dr. Pool; with the 1766 work we have long been familiar. According to
the _Bibliotheca Anglo-Judaica_ (p. 174), “the Mahamad would not allow
a translation to be printed in England.” If such a refusal was made,
we must at least amend the last words, and read _in English_ for _in
England_. For it was in London, in 1740, that Isaac Nieto’s _Spanish_
rendering of the prayers for New Year and Day of Atonement saw the
light of publication.
Indeed, in Isaac Pinto’s preface the point is made quite clear. “In
Europe,” he says, “the Spanish and Portuguese Jews have a translation
in Spanish, which, as they generally understand, may be sufficient;
but that not being the case in the British Dominions in America, has
induced me to attempt a translation, not without hope that it may
tend to the improvement of many of my brethren in their devotion.”
Admittedly, then, Pinto designed his work for American use; at all
events, the objection of the Mahamad must have been to the language
used by Pinto. We know how resolutely Bevis Marks clung to Spanish,
and how reluctantly it abandoned some of the quaint uses made of it in
announcements and otherwise.
“Some crudities there are in this translation, but few mistakes, and
the style has a genuine devotional ring,” says Mr. Singer. Pinto could
not easily go wrong, seeing that he made use of Haham Nieto’s “elegant
Spanish translation.” Dr. Gaster remarks that Pinto’s rendering
“rests entirely,” as the author declares, on Nieto’s. Pinto’s exact
words are: “In justice to the Learned and Reverend H. H. R. Ishac
Nieto, I must acknowledge the very great advantage I derived” from
Nieto’s work. Mr. G. A. Kohut shares Mr. Singer’s high opinion of
Pinto’s style. “The translation,” he asserts, “seems to be totally
free from foreign expressions, and is characterized throughout by a
dignity and simplicity of diction which is on the whole admirable.”
With this favorable judgment all readers of Pinto will unhesitatingly
concur. A remarkable feature which Pinto shares with Nieto is this:
the translation appears without the Hebrew text. Commenting on the
absence of Hebrew, Mr. Singer observes: “This fact would seem to show
that there must have been an appreciable number of persons, who,
for purposes of private worship at least, and perhaps also while
in attendance at synagogue, depended upon English alone in their
devotions.” On the other hand, it is possible that, as Hebrew printing
must have been costly in London and New York in the eighteenth century,
the absence of the Hebrew may be merely due to the desire to avoid
expenses. The translations may have been meant for use with copies of
the Hebrew text printed in Amsterdam and elsewhere on the continent of
Public-domain text, read in full here on John Shaqi.
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