Hebrew literature -- History and criticism; Jewish literature -- History and criticism; Jews in literature
_Baron_: O, you wrong me! How could you entertain such a suspicion?
Without being learned in physiognomies, I must tell you I have never
met with a more frank, generous, and pleasing countenance than yours.
_Traveller_: To tell you the truth, I do not approve of
generalizations concerning a whole people.... I should think that
among all nations good and wicked are to be found.
These quotations will suffice to convey an idea of the aim of the
dramatist and of the manner in which it is carried out. There is a
certain amount of comic relief to the gravity of the main plot. The
foot-pad and garroter, Martin Krumm, cuts an amusing figure as an
assailant of the honesty of the Jews. “A Christian would have given
me a kick in the ribs and not a snuff-box,” says Christopher, the
traveller’s servant. Christopher is a funny rogue. When his master
cannot find him, and naturally complains, the servant replies: “I can
only be in one place at one time. Is it my fault that you did not go to
that place? You say you have to search for me? Surely you’ll always
find me where I am.”
There were a few attempts prior to Lessing to present the Jew in a
favorable light on the stage, as Sir Sidney Lee has shown. But between
Shylock and Nathan there stretches a lurid desert, broken only by the
oasis of _Die Juden_. To some it may occur that the battle of tolerance
fought by Lessing did not end in a permanent victory. Lessing himself
would not have been disquieted at that result. As he expressed it, the
search for truth rather than the possession of truth is the highest
human good. A leading Viennese paper said some few years ago that if
_Nathan the Wise_ had been written now, it would have been hissed
off the German stage. It is not unlikely. Fortunately, Lessing wrote
before 1880! _Nathan_ does not remain unacted. I saw Possart play the
title-role in Munich in the nineties. His splendid elocution carried
off Nathan’s long speeches with wonderful absence of monotony.
A thing of truth is a boon forever, because it makes further progress
in truth-seeking certain. Because there has been one Lessing,
there _must_ be others. And if _Nathan the Wise_ be thus a lasting
inspiration, let us not forget that the poet was trying his hand,
and maturing his powers, by writing the play which has served as the
subject of this sketch.
ISAAC PINTO’S PRAYER-BOOK
Public-domain text, read in full here on John Shaqi.
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