American fiction -- 19th century; Manners and customs -- Fiction
"To watch over the widow and fatherless. And with God's blessing,
sister, and His holy ordinance, I am here to stay."
SARAH WALKER
It was very hot. Not a breath of air was stirring throughout the
western wing of the Greyport Hotel, and the usual feverish life of its
four hundred inmates had succumbed to the weather. The great veranda
was deserted; the corridors were desolated; no footfall echoed in the
passages; the lazy rustle of a wandering skirt, or a passing sigh that
was half a pant, seemed to intensify the heated silence. An
intoxicated bee, disgracefully unsteady in wing and leg, who had been
holding an inebriated conversation with himself in the corner of my
window pane, had gone to sleep at last and was snoring. The errant
prince might have entered the slumberous halls unchallenged, and walked
into any of the darkened rooms whose open doors gaped for more air,
without awakening the veriest Greyport flirt with his salutation. At
times a drowsy voice, a lazily interjected sentence, an incoherent
protest, a long-drawn phrase of saccharine tenuity suddenly broke off
with a gasp, came vaguely to the ear, as if indicating a
half-suspended, half-articulated existence somewhere, but not definite
enough to indicate conversation. In the midst of this, there was the
sudden crying of a child.
I looked up from my work. Through the camera of my jealously guarded
window I could catch a glimpse of the vivid, quivering blue of the sky,
the glittering intensity of the ocean, the long motionless leaves of
the horse-chestnut in the road,--all utterly inconsistent with anything
as active as this lamentation. I stepped to the open door and into the
silent hall.
Apparently the noise had attracted the equal attention of my neighbors.
A vague chorus of "Sarah Walker," in querulous recognition, of "O Lord!
that child again!" in hopeless protest, rose faintly from the different
rooms. As the lamentations seemed to approach nearer, the visitors'
doors were successively shut, swift footsteps hurried along the hall;
past my open door came a momentary vision of a heated nursemaid
carrying a tumultuous chaos of frilled skirts, flying sash, rebellious
slippers, and tossing curls; there was a moment's rallying struggle
before the room nearly opposite mine, and then a door opened and shut
upon the vision. It was Sarah Walker!
Public-domain text, read in full here on John Shaqi.
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