American fiction -- 19th century; Manners and customs -- Fiction
"With your hair in that state?" almost screamed the domestic. But
Sarah Walker had already pulled me into the hall. What particularly
offensive form of opposition to authority was implied in this prompt
assent to my proposal I could only darkly guess. For myself I knew I
must appear to her a weak impostor. What would there possibly be in
the sea to interest Sarah Walker? For the moment I prayed for a
water-spout, a shipwreck, a whale, or any marine miracle to astound her
and redeem my character. I walked guiltily down the hall, holding her
hand bashfully in mine. I noticed that her breast began to heave
convulsively; if she cried I knew I should mingle my tears with hers.
We reached the veranda in gloomy silence. As I expected, the sea lay
before us glittering in the sun--vacant, staring, flat, and hopelessly
and unquestionably uninteresting.
"I knew it all along," said Sarah Walker, turning down the corners of
her mouth; "there never was anything to see. I know why you got me to
come here. You want to tell me if I'm a good girl you'll take me to
sail some day. You want to say if I'm bad the sea will swallow me up.
That's all you want, you horrid thing, you!"
"Hush!" I said, pointing to the corner of the veranda.
A desperate idea of escape had just seized me. Bolt upright in the
recess of a window sat a nursemaid who had succumbed to sleep equally
with her helpless charge in the perambulator beside her. I instantly
recognized the infant--a popular organism known as "Baby Buckly"--the
prodigy of the Greyport Hotel, the pet of its enthusiastic womanhood.
Fat and featureless, pink and pincushiony, it was borrowed by gushing
maidenhood, exchanged by idiotic maternity, and had grown unctuous and
tumefacient under the kisses and embraces of half the hotel. Even in
its present repose it looked moist and shiny from indiscriminate and
promiscuous osculation.
"Let's borrow Baby Buckly," I said recklessly.
Sarah Walker at once stopped crying. I don't know how she did it, but
the cessation was instantaneous, as if she had turned off a tap
somewhere.
"And put it in Mr. Peters' bed!" I continued.
Peters being notoriously a grim bachelor, the bare suggestion bristled
with outrage. Sarah Walker's eyes sparkled.
"You don't mean it!--go 'way!"--she said with affected coyness.
"But I do! Come."
We extracted it noiselessly together--that is, Sarah Walker did, with
deft womanliness--carried it darkly along the hall to No. 27, and
deposited it in Peters' bed, where it lay like a freshly opened oyster.
We then returned hand in hand to my room, where we looked out of the
window on the sea. It was observable that there was no lack of
interest in Sarah Walker now.
Public-domain text, read in full here on John Shaqi.
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