American fiction -- 19th century; Manners and customs -- Fiction
The abode of the late Reverend Marvin Hiler remained in the
disorganized condition he had left it when removed from his sphere of
earthly uselessness and continuous accident. The straggling fence that
only half inclosed the house and barn had stopped at that point where
the two deacons who had each volunteered to do a day's work on it had
completed their allotted time. The building of the barn had been
arrested when the half load of timber contributed by Sugar Mill
brethren was exhausted, and three windows given by "Christian Seekers"
at Martinez painfully accented the boarded spaces for the other three
that "Unknown Friends" in Tasajara had promised but not yet supplied.
In the clearing some trees that had been felled but not taken away
added to the general incompleteness.
Something of this unfinished character clung to the Widow Hiler and
asserted itself in her three children, one of whom was consistently
posthumous. Prematurely old and prematurely disappointed, she had all
the inexperience of girlhood with the cares of maternity, and kept in
her family circle the freshness of an old maid's misogynistic
antipathies with a certain guilty and remorseful consciousness of
widowhood. She supported the meagre household to which her husband had
contributed only the extra mouths to feed with reproachful astonishment
and weary incapacity. She had long since grown tired of trying to make
both ends meet, of which she declared "the Lord had taken one." During
her two years' widowhood she had waited on Providence, who by a
pleasing local fiction had been made responsible for the disused and
cast-off furniture and clothing which, accompanied with scriptural
texts, found their way mysteriously into her few habitable rooms. The
providential manna was not always fresh; the ravens who fed her and her
little ones with flour from the Sugar Mills did not always select the
best quality. Small wonder that, sitting by her lonely hearthstone,--a
borrowed stove that supplemented the unfinished fireplace,--surrounded
by her mismatched furniture and clad in misfitting garments, she had
contracted a habit of sniffling during her dreary watches. In her
weaker moments she attributed it to grief; in her stronger intervals
she knew that it sprang from damp and draught.
In her apathy the sound of horses' hoofs at her unprotected door even
at that hour neither surprised nor alarmed her. She lifted her head as
the door opened and the pale face of Gideon Deane looked into the room.
She moved aside the cradle she was rocking, and, taking a saucepan and
tea-cup from a chair beside her, absently dusted it with her apron, and
pointing to the vacant seat said, "Take a chair," as quietly as if he
had stepped from the next room instead of the outer darkness.
"I'll put up my horse first," said Gideon gently.
"So do," responded the widow briefly.
Public-domain text, read in full here on John Shaqi.
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