By-ways on Service: Notes from an Australian JournalDinning, Hector
History
By-ways on Service: Notes from an Australian Journal
Dinning, Hector
World War, 1914-1918 -- Personal narratives, Australian
Far the pleasanter journey you'll have by boarding your motor-lorry on
a fine summer morning. The country smiles all about you. _Smile_ is the
only word. You catch the infection of green bank, green plain flecked
with brown and gold stubble and streaked with groves of elm and beech,
poplar and plane: you get infected and rejoice. If you climb the crest
of one of the slopes less gentle than most slopes here, you may look
down on it all--on the double line of trees setting-off here and there
across the plains, up the slopes, down the valleys, marking the roads,
of which trees are the invariable index; at the winding stream, banked
with hop and willow, flowing through a belt of richer greenness: that's
how you know a stream from a height--not by the water, of which you see
nothing for the groves that border it, but by the irregularity of these
plantations (the roads are planted with a deliberate symmetry) and the
deepening in the colour of the lush grasses of the basin.
You'll look down, too, on the villages dropped irregularly along its
course. There's the low roof, the gable, the amorphous mass of greys
and yellows topped by the pyramidal church spire rising grey slate to
its summit. The number of villages you may see in thirty square miles
of the Somme district is amazing. The whole Somme Valley is a mazed
network of roads and streams, with groves and harvest-fields in the
crowding interstices, the whole teeming with grey villages. This is the
character of the country; and very lovely it is.
From your hilltop you'll see, perhaps, a bombing-school at play in
the valley--the line of murderous, irregular bursts in their white,
vapourish smoke, all forced into the extremity of unnaturalness by the
deep colour of the wood behind.
In June the depth of the colour in this French country gave the sky
itself a depth of colour not known in Australia. The cumulus resting on
the sky-line would be arresting in its contrast with wood and pasture,
and the blue of the gaps above it heightened too. Sometimes the days
were clouded in the vault, but with a clear horizon; then you would get
a kind of rich opalescence, the sunlight shut out above deflected and
concentrated in the glowing horizon, its streaks of colour intensified
fourfold by the depth of green in the landscape. Some such middle
afternoons I never shall forget.
Public-domain text, read in full here on John Shaqi.
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